Swamp pop. What is it and where does Tex Mex begin and country blues end? Well, just listen for that Louisiana backbeat, a taste of torch song and rocking rhythm. We’ll take on the music of Tex Mex next week but this week we’ll be sampling some of the greats of that splinter genre referred to as ‘swamp pop’; music that was grafted from a number of different root source sounds. Swamp pop remains an important cultural expression of the Acadiana region, celebrated for its heartfelt and nostalgic qualities. While it never achieved the widespread commercial success of other genres, swamp pop has maintained a dedicated following and continues to be performed by contemporary musicians. We’ll share the sounds of some of the genre’s most popular: Warren Storm, Tommy McLain, Rod Bernard, Clint West and so many others. Drop on by.
Category Archives: Early Rock
Rhythm Roller Coaster
Swing and jazz music of the late 1930s had just enough time to raise a small ruckus before the second World War broke out. After a celebratory wave swept the nation, there was a need for more of the same but with an upbeat but harder drive to it. It didn’t take long for pre-rock R&B to become popular across demographics as it would gain significant traction among urban youth, particularly in the central hubs of New York, Chicago, Detroit, LA, and New Orleans. This week’s show features a roller coaster of great sounds including tracks from Varetta Dillard, The Lollypoppers, The Flairs, and Little Johnny Jones & The Chicago Hound Dogs. You don’t want to miss this wild ride.
Space Race Rock
What a time it was. The surprise of Sputnik in the early fifties led to a space race, a technological competition that had a profound impact on popular music (not to mention popular culture), providing musicians (and would-be musicians) a rich source of inspiration and contributed to some of the most iconic, as well as comic and out of this world, songs of the era. Themes of space travel, the moon and Mars, and even flying saucers were rampant on the airwaves. And one can only ascribe the fear of aliens to the number attempted novelty bits that reflected that trepidation. Laughter is, after all, a natural way for fear to be released in humankind. This week we’ll be sharing some of the classics, as well as the unknowns, including Jesse Belvin & His Space Riders, The Drivers, Merv Griffin, The Big Bopper, Dave & The Detomics and quite a few more that even if we were to share their names, you’d probably scratch your head anyway.
Signs & Signifiers
It’s a brand new year! Turn off the TV and tune into community radio for your best time. This year’s news will be one of politics, war, and overall bad behavior from the middling underbelly and radio will at least bring you a brief respite from what ails us. This week’s Deeper Roots will be another free form romp of genre-bending fun with a mix of soul, blues, country, rock and gospel. Tune in for some Norah Jones, Chris Isaak, Tom Petty, and Donna The Buffalo as we take our first steps into 2024. We’ll have a set that features signs and signifiers alongside the encouragement of Sister Mahalia as we keep our hand on the plow, the story telling of Luther’s picking from Johnny Cash, and we’ll also be ‘watching the signals’ with Bullmoose Jackson and Brenton Wood. Join Dave Stroud on another Friday morning featuring a century of America’s music on Sonoma County Community Radio, KOWS-LP 92.5 Occidental. Streaming all across the world on kowsfm.com/listen.
Hair’s On Fire
It’s summer and what better time to roll out the scorchers; vocals with an emphasis on big beats, screamin’ guitars and performances that sweat quite profusely in the noonday sun. This week on Deeper Roots we’ll be digging through the archives of early rock, rhythm & blues and rockabilly for some tumultuous and head-splitting numbers from the past. Songs that woke up the neighbors if only played at a moderate level and woe be the terrified fifties’ parents when they heard the hi-fi blaring these songs from the youngster’s room. We’ve put together a collection of wildcat tamers, killer dillers, and not a bit of filler in the show today that will leave you breathless. Among those sparking the fuel that could set the hair on fire are Tarheel Slim, Jimmy Breedlove, Chan Romero, Big Mama Thornton, and the one and only Richard Penniman. Tune in for another Friday morning collection of the very best from the past century with your host, Dave Stroud, on KOWS Community Radio.
Cynthia Weil Tribute
In a June Substack tribute to Cynthia Weil’s legacy, Dan Epstein of “Jagged Time Lapse” observed that the “modern pop songbook would be significantly slimmer and less life-affirming without their work”. The ‘their’ referring, of course, to her husband and songwriting partner Barry Mann. From their early Brill Building output which included “Uptown” (The Crystals), “You’ve Lost That Lovin’ Feelin’” (The Righteous Brothers), and “Walking In The Rain” (The Ronettes), to the chart-topping 80s classics of “Don’t Know Much” (Linda Ronstadt and Aaron Neville) and “Here You Come Again” (Dolly Parton), Cynthia Weil’s contributions to popular music were indeed affirming. This week’s Deeper Roots pays due respect to Cynthia, who was married to Barry Mann for almost 62 years, and was lyricist to his music. Their contributions to the sound of rock and roll and pop music in the 1960s rivaled luminaries like Burt Bacharach, Carole King and Neil Diamond.
Imperial Rhythm & Rockabilly
The Imperial label will be the subject of this week’s Deeper Roots show. Founded in 1947 by Lew Chudd, it’s early years featured some of the very best rhythm and blues and early rock you could find. Their lineup included some of the big names of early rock, not least of which was Roy Brown, Fats Domino, Frankie Ford and Ricky Nelson. They would dabble in country and jazz but also looked to strike while the iron was hot when Elvis hit with a blend of country and rhythm and blues in the mid-50s. They did so by looking for new names with ducktails and driving combos in the rockabilly era. This episode focuses primarily on the 1950s with a future episode taking us further into the label’s sale to Liberty Records in 1963 but not before Lew Chudd purchased Aladdin and Minit Records, bringing over even more of the R&B talent that they would be known for. It’s another Deeper Roots Friday morning on KOWS.
Trippin’ On The Instrumentals
We’re going silent today. Vocals-wise, anyway. Tune in Friday morning for the best rock instrumentals from the late fifties through the sixties as we journey through a slick set of the very best from Santo and Johnny to Mason Williams with our core focus being on the wild chart sounds of Duane Eddy, Sandy Nelson, The Tornados, Link Wray and more teen beat, pop and rock favorites from a particularly fertile time for rock n’ roll. Whether they were riffing on classic sounds of the past or blasting off into the outer stratosphere with sounds of space and surf, the instrumentals peppered the charts with themes for the time, owing more to roots than we appreciate. Join the fun on KOWS’ Friday mornings at 9 Pacific on Deeper Roots.
Elvis’ Influencers
Elvis Presley’s performances, in particular those from his first decade, were based in some very deep roots. Those roots tapped into almost anything that could be heard in the south on that cultural touchstone of radio. Blues, big band, jazz, hillbilly, pop, gospel and country all played an enormous role in molding the iconic performer he was to become. In our Deeper Roots show this week we’ll be exploring the ‘influencers’ of the day; songs that played on the radio, songs that Elvis personally revealed as his favorites, songs that he enjoyed with his family as a young boy. We’ve got Mahalia and Sister Rosetta tracks, Little Junior Parker and Jimmy Reed, Red Foley and Roy Acuff, and a host of others to share this week so we’re hoping that we can remember how radio’s lifeline to culture that spoke to Elvis in a very, very big way.
Session Masters: Guitar
When trying to put together a Deeper Roots episode that covered the great session masters from the past one hundred years it became exceedingly clear that the show would need to be broken up into multiple parts. Percussion, keyboards, brass, bass and all the rest will follow but this week we’re going to focus on the string masters; those guitar stars who account for the bulk of Top 30 hits that graced our lives over the second half of the 20th century. They include Hank Garland, Grady Martin, James Burton, Joe Messina, Glen Campbell, Jimmy Johnson and, of course, Tommy Tedesco. There are many others who deserve the recognition but our show is only a two hour show and, even at that, picking only three or four examples per performer doesn’t do it justice. We’re going to give credit where it’s due…those who stood in the shadows.
