The home page of the Western Swing Society describes western swing as “a division of the American phenomenon known as jazz [fusing] elements of musical roots…including blues, Dixieland, ragtime, big band, country, pop, and breakdowns.” That kind of explains why we revisit this genre so often here on Deeper Roots. What it has most in common with jazz is the use of improvisation; what it does try to do is to take things one step further: make it dance-able. The foot-tapping rhythm and the encouragement of participation drew audiences far and wide from the north, south, east and west. This week show meanders through some fun sounds including tracks Hank Penny, Milton Brown, Ocie Stockard, and (of course) Bob Wills. We’ll have some tribute songs and old standards for you on Sonoma County community radio.
A laid back Friday morning in store as we celebrate a century of America’s music with classics from every corner. Dave Stroud hosts with a potpourri of doo wop, gospel, rock, R&B, soul, and country wrapped up just for Deeper Roots listeners out there. We’ll be hearing from Johnny Cash, The Ravens, Mike Farris, (more than one) Bo Diddley, and The Neville Brothers as we watch the trees turn their late summer umber under warm Sonoma County September skies. Tune in for the very best, including The Living Sisters and The Andrews Sisters, side by side, this one time. Only on Community Radio because all other $$$ stations fail to play with heart.
Well, it’s about time. For being one of the premier blues women of the 20th century, we’ve been remiss in our coverage here on Deeper Roots. You can, however, check out our blog post Memphis Minnie on the Ice Box to prepare you for the music we’ve got for you this coming Friday. Not only will we share some classic tunes from Minnie and Kansas City Joe McCoy but we’ll be pairing much of them with contemporary covers including some special ones: the Alabama Shakes, Maria Muldaur, Precious Bryant, and Eilen Jewell (just to name a few). The article mentioned above is a well worn first hand observation of a Memphis Minnie performance published in the Chicago Defender in 1942, written by Langston Hughes. We’ve got enough to fill the room…and the airwaves, this coming Friday morning so here’s hoping you can drop in.