Every now and then Deeper Roots will take a step back and look at the unknowns, not for their anonymity as much for their stories and why their music is so important to the American story. A documentary was recently released entitled “Bayou Maharajah: The Tragic Genius of James Booker”, http://www.bayoumaharajah.com/ directed by Lily Keber. It tells the story of the classically trained session man and we’re going to also explore the contributions that Booker made to the music of others, his quirky yet brilliant talent in performances of his own, and we’ll also share some of the stories of James Booker’s celebrated ups and tragic lows.
Join us for some unbridled passion featuring ducktails, attitude, and rocking rhythm…all in the tradition of the north, west, east, and south. We speak of that genre that keeps on churning: rockabilly. It’s a genre that’s seen more revivals than a traveling preacher in the Midwest and South during the late 1930s. The recordings were pretty rustic: a bass, some driving percussion, and excitable guitar riffs and the vocals often phrased by rebel yells. We’ll be tearing it up with some of the very best including Johnny Burnette’s Rock ‘n Roll Trio, Billy Lee Riley, Carl Perkins, and Jerry Lee Lewis…and those were just the top drawer stars. We’ll also hear from the ladies: Wanda Jackson, Charline Arthur, and Janis Martin as well as the more obscure sounds of Bobby Lord, Hoyt Stevens, and Roy Hall.
Deeper Roots digs into the early sounds of rock in another episode that explores the songwriters…this time focusing on the talents of the team of Jerry Leiber and Mike Stoller, During the first decade of a rock ‘n roll, they brought the R&B music they loved to the pop mainstream, producing a catalog of enduring, influential, and spirited musical pieces. The two grew up on the East Coast, Leiber in Baltimore and Stoller in Queens, but met in Los Angeles in 1950 where they began a sixty year collaboration, Leiber serving as the sharp-witted lyricist, while the classically trained but jazz-and R&B-loving Stoller wrote the music. Join Dave Stroud in a show first broadcast on KWTF in 2014 as he’ll share the duo’s songwriting talents featuring the music of LaVern Baker, Big Mama Thornton, Bull Moose Jackson, Brian Setzer, and many, many others.
Take a trip with Deeper Roots as we visit a Saturday Night Fish Fry featuring Eddie Williams and His Brown Buddies, Cab Calloway’s “Everybody Eats When They Come To My House”, Duke Ellington’s tribute to the “Saturday Night Function”, and songs of house rent parties, Saturday evenings, and Fats Waller will tell us about “Functionizing”. It has always been about blowing off steam after a long week…and swinging, rocking, and having a ball.
Deeper Roots looks at one of the many precursors to rockabilly and rock ‘n roll. Hillbilly boogie is a term used to describe an early pop music fad that blended early 20th century boogie woogie piano style, popular black music of the time, and western swing. Now many will say that it started with Arthur “Guitar Boogie” Smith but we’ll hear the swing and boogie woogie sounds that predated Smith. And the word was “boogie”. Boogie Woogie Baby, New Broom Boogie, Birthday Cake Boogie, Cherokee Boogie…well, you get the idea. We’ve got all of those and more with performances from Tex Williams, Hank Penny, Johnny Bond, Rose Maddox, and many more. Join Dave Stroud for another journey through a century of America’s music here on listener-supported community radio for Bodega Bay!
It’s all about the roots of rockin’ and rollin’….including those songs that lyrically broached the subject as early as the 1920s. We follow the thread into the 1930s and 40s where a wellspring of American music, both traditional as well as experimental, inspired the sounds that would fuse into the sound that we know of as rock ‘n roll. Tonight at 9, Deeper Roots take a trip down a very wide path in an episode called “Early Rocking”…venturing into early blues, country swing, jazz, and R&B. We’ll hear from Blind Blake, Jack McVea, Stick McGhee, Hardrock Gunter, Les Paul, and others that may raise an eyebrow or two. Muddy Waters once stated that “The blues had a baby and they called it rock ‘n roll…” but there is so much more to it than just the blues…and we’ll find out what.
Nearly fifty years ago one song entered three different charts: Country, R&B, and Pop at the same time, unprecedented for the time. It was a year where the airwaves were filled with Dean Martin, Perry Como, Marty Robbins, The Platters, and the first hints of what was to be the infusion of R&B into popular music. Deeper Roots will take a peek at the year 1956 with an exploration of Elvis’ release of Hound Dog.
Dale Geist, singer-songwriter and passionate student of rock history, joins Dave Stroud in a special two-hour show that explores the impact of songwriters Jerry Leiber and Mike Stoller, blues and rhythm rockers Rufus Thomas, Big Mama Thornton, and Roy Brown, as well as the music of The Coasters, The Robins, Big Joe Turner, and The Drifters.
You’ve heard his music and his story is bigger than life. Jerome Felder was raised in Brooklyn to a middle class Jewish family and contracted polio at a very young age. But he also contracted a taste for the blues as an adolescent and did more than make his mark on the American musical fabric of the mid-to-late century. He adopted the stage name of Doc Pomus and, along with Lieber, Stoller, King, and a few others defined the lyric and tone of a generation. Deeper Roots explores the music of Doc Pomus this Friday night at 9 on KWTF. We’ll hear Big Joe Turner’s Piney Brown Blues, a song that inspired him as well as a couple of pieces that he would eventually write for Joe when he was recording in the Atlantic stable. We’ll share the stories and music, including performances by Doc himself, The Coasters, Elvis, Dr. John, and Ray Charles.
Sam Phillips launched his Memphis record company in February of 1952 naming it Sun Records as a sign of his perpetual optimism: a new day, and a new beginning. Phillips rented a small space at 706 Union Avenue for his own all-purpose studio. The label was launched amid a growing number of independent labels. In a short, while Sun gained a reputation throughout Memphis as a label that treated local artists with respect and honesty. Sam provided a non-critical, spontaneous environment that invited creativity and vision.
His promotional line was “We record anything, anywhere, anytime”… and so we explore the music that Sam Phillips shared with the world out of his Memphis recording studio. The sounds of blues, gospel, and rockabilly fused into a distinct sound and included the likes of Howlin’ Wolf, Carl Perkins, Rufus Thomas, Little Junior’s Blue Flames, as well as, you know, *that* guy…Elvis. Join Dave Stroud for two hours of ‘fun in the Sun’ … with the music and back stories on Deeper Roots: A Century of America’s Music.
