This week’s show leans into the rougher side of the tradition: the places where bruised pride, bad decisions, and raw truth find their way into song. “The down and dirty blues” isn’t a stylistic claim so much as a shared attitude — the kind shaped by rent coming due, lovers turning cold, and the kind of trouble that sits heavy in the gut. Across the past century, singers and players have used these stories to put plainspoken feeling into motion, building grooves that don’t promise comfort so much as recognition. Across two hours, we’ll move through voices that carried this edge with conviction — men and women from the 1930s onward who weren’t at all shy about calling out mean mistreaters or confessing their own missteps. You’ll hear hard-driving cuts where guitars sting, pianos roll, and vocals land with a certain bruising weight. Tune in for the likes of Victoria Spivey, Lonnie Johnson, Dirty Red, Little Joe Blue, Howlin’ Wolf and a couple dozen others. The ‘dirty dozen’ doesn’t get much dirtier than this.
Category Archives: Featured Music
Flour Power
What a show for the day after Thanksgiving! This week we roll out a two-hour celebration of bakery-inspired tunes—an irresistible mix of cakes, pies, donuts, cookies, and every sugary delight ever to find its way into a lyric. We’ll be mixing up a blend from a century’s worth of music, from early jazz confections and country-fried treats to soulful blues pastries, golden-era pop indulgences, and rock-and-roll slices served hot from the oven. It’s all about how bakery imagery has sweetened American music’s storytelling. Jazz bands swing like a spoon in batter; country artists offer homestyle wisdom baked into every verse; blues singers lean into the bittersweet with slow-cooked grooves; and rock outfits bring the heat with songs that crust, crackle, and pop. Whether it’s a dusty 78 from the 1920s or a modern track with sprinkles of retro charm, the playlist draws straight from the musical pantry of the past hundred years. This week’s highlights include performances from Dan Hicks, NRBQ, Curtis Salgado, Ella Fitzgerald, Fats Waller and a whole lot more. Tune into community radio for West Sonoma County. KOWS-LP 92.5 FM Occidental, streaming to planet Earth at kowsfm.com/listen.
Harmonica Legends
Got a harmonica romp through the past one hundred years of America’s Music this coming Friday morning. We’ll be following the harmonica’s journey along and across the American crossroads…one that began in the 19th century, when inexpensive German-made “mouth harps” made their way into the hands of soldiers, travelers, and rural families. Its portability and expressive bends made it a natural fit for early blues and country porch settings. From that country blues porch setting to the juke joints where electric blues, rock, soul, blues, and Americana meet and mingle. We’ll be opening the vaults for some classic tracks from the likes of Little Walter, DeFord Bailey, Mickey Raphael, Sonny Boy Williamson, Charlie Musselwhite, and a couple dozen others as we celebrate the “mouth harp” for its blistering, distorted lead influencing generations of performers of all stripes. Drop in…we’d be glad to have you visit this Friday morning.
Rock Roll and Soul
This week’s Deeper Roots takes a wide turn down the backroads of American music, delivering a two-hour free form ride through the crossroads where rock, soul, blues, and Americana meet and mingle. We’ll be opening the vaults for an eclectic blend honoring the roots while keeping one foot in the groove — where a deep cut from Garland Jeffreys might slide right up against raw King Curtis Memphis soul, a bouncy David Lindley number, or the tight shuffle of a Chess Records blues side. We’ll be connecting the dots between decades and genres with warmth and curiosity. Whether it’s Louvin-soaked harmonies, road-weary country soul, or the smoky after-hours mood of the juke joint, this week’s celebration once more explores the shared DNA of American sound. Tune in for stories between the songs, unexpected transitions, and a handpicked setlist that speaks to both memory and motion — a sonic journey that proves the roots run deep, wide, and ever surprising.
Rhythm & Bayou Romp
The sounds of New Orleans carry a mood that’s both jubilant and deeply human; it dances and mourns in the same breath. It’s the sound of the street parade meeting the juke joint: syncopated, earthy, and alive with horns, piano rolls, and that unmistakable backbeat shuffle. Unlike the more urban polish of Chicago blues or the rural cry of the Delta, New Orleans R&B has always felt like a conversation between the sacred and the profane, where gospel chords meet barroom swagger. Just beyond the Crescent City’s lights, where the waters of the bayou take form, we’ve got the accordians and fiddles of the swamp, where there’s humor, head and heartbreak woven into the DNA of the deep South. It is joyous and haunted, elegant and raw, as well as endlessly resilient. The music of New Orleans inspired an ethos — that music could be communal, unrestrained, and celebratory no matter the hardship. It taught America how to dance through its troubles, to find rhythm in resilience, and to turn sorrow into sound that still shakes the rafters and demands a communal dance to this day. This week’s show raises the flag of the Crescent City and her environs with a rhythm and bayou romp!
Halloween 2025
Halloween in America, on the anniversary of the first quarter century of the millennium. We celebrate the night by wearing masks, by flirting with fear, by turning the grotesque into entertainment. But here in 2025, you can’t help but feel like the masks didn’t come off this year. The trick-or-treaters will return home tonight, but the parade of make-believe monsters marched straight into the daylight this past January — and some of them are occupying the most important offices in our fragile democracy. What used to be a night for play-acting power, for pretending to be the villain, has turned into a movement that’s forgotten the difference between costume and conviction. The slogans sound patriotic, the anger sounds righteous, and the cruelty wears the grin of normalcy. Halloween, at least, has an ending — sunrise, candy wrappers, a hangover of sugar and smoke. But America’s current masquerade? The lights came on, and the masks stayed put.
Listen To The Music
Friday mornings feature a two-hour journey through sound, soul, and even a dash of storytelling from the past century of America’s music. Tune in as Dave Stroud weaves an eclectic blend of genres that don’t always share a shelf, but definitely share a spirit. From the aching twang of country ballads to the velvet grooves of soul, as well as the thumping rhythms of rock…we’ve got it all. We’ll also be adding a touch of gospel to uplift and some shimmering pop in the show today. Legends and unsung heroes side by side—think John Fogerty easing into a track from BR5-49, or some classic Charlie Musselwhite introducing the soulful sounds of Solomon Burke. This isn’t a greatest hits show—it’s a feeling. It’s about the moments when music surprises you, connects you, and makes you feel more you. So whether you’re tuning in from the road, the living room, or somewhere in between, turn it up and let the music take you somewhere new..
High On The Hog!
We’ll be rolling back our Hillbilly Wayback Machine to the year 1950 for romance in high pants at the barn dance. Country music really hadn’t yet caught on as a genre so a lot of the music we’ll share today had the misfortune of being coined “hillbilly music”; a blend of silver screen cowboy nostalgia for the lone prairie alongside swinging arrangements and occasional ballads of the heart. You even had yourself some down-home novelty and syncopated vocals that looked out at that land beyond the sun where the tumbleweeds bounced across the horizon. Without further waxing of the poetic, we’ll let you know that you’ll be treated to some very best from under the blanket of the prairie sky including the likes of Smiley Burnette, Jimmy Wakely, Tin Ear Tanner, Zeb Turner and Leon Chappel. These weren’t necessarily the big hits but they were honky tonk and jukebox favorites. Drop in and find out.
John Prine 79
We lost John Prine to COVID in 2020. We’re going to celebrate his 79th birthday along with the rest of his fans this morning as two new movies are on the horizon at just the right time. The two movies differ in their angles: one being a new tribute produced by his wife Fiona Whelan Prine called “You Got Gold” and the other is one produced by the Hello In There Foundation called “How Lucky Can One Man Get” which has its first screening this month in Denver. With today being his birth date, we’ll be doing a few different takes on John’s career in music including a couple reminiscences from Todd Snider and Steve Poltz who delivers a delightful memory of a trip to the Disney Store with John. There’s a reason that John is considered an American music treasure: as a songwriter he has few peers with his straight-ahead and simple sensibility. He delivered the goods as well as any of the legendary humorists , and that includes Mark Twain. Drop on in for something special this Friday morning.
Mean Old Frisco
It’s a City (with a capital ‘C’ to locals) whose cultural history practically hums with musical possibilities. This is due in large part to how the city has always been a meeting point for restless ideas and diverse communities. From the Gold Rush boomtown that lured fortune-seekers from every continent, to the Beat poets of North Beach and the psychedelic counterculture that turned Haight-Ashbury into a world stage, it’s been an easy mark for songwriters. This week’s show will visit that blend of beauty, grit and idealism with performances for and about San Francisco. Join us for a whole batch of vintage sounds covering any old genre we care to share with the likes of Harry “The Hipster” Gibson, Little Walter, Charlie Musselwhite, Linda Martell, and, of course, Tony Bennett. We’ll celebrate from a short distance away with memories of Broadway, the fog rolling through the Golden Gate, and that endless palette of imagery and mood that is a living chorus always ready to be set to music.
