We took a journey to the south in last week’s show and this week, we head further west where we’ll share a vibrant and dynamic genre that reflects the rich cultural fusion of its geographic origins, combining traditional Mexican folk music with contemporary American influences of country, rhythm and blues, and rock. With the accordion and bajo sexto, drums, bass and guitar punching a hefty rhythm whose lyrics are often filled with catchy hooks and danceable beats, it is prominently featured in festivals, celebrations and public events across the southwestern United States and northern Mexico. We’ll share some of the influentials from across the border like Lydia Mendoza as well as the mainstays and popular artists of the past half century including Freddy Fender, Doug Sahm, The Texas Tornados, Flaco Jimenez, The Mavericks and a dozen others in this week’s Deeper Roots fest.
Category Archives: Oldies
Swamp Pop Fest
Swamp pop. What is it and where does Tex Mex begin and country blues end? Well, just listen for that Louisiana backbeat, a taste of torch song and rocking rhythm. We’ll take on the music of Tex Mex next week but this week we’ll be sampling some of the greats of that splinter genre referred to as ‘swamp pop’; music that was grafted from a number of different root source sounds. Swamp pop remains an important cultural expression of the Acadiana region, celebrated for its heartfelt and nostalgic qualities. While it never achieved the widespread commercial success of other genres, swamp pop has maintained a dedicated following and continues to be performed by contemporary musicians. We’ll share the sounds of some of the genre’s most popular: Warren Storm, Tommy McLain, Rod Bernard, Clint West and so many others. Drop on by.
J.J. Cale Tribute
When J.J. Cale’s first album came on the scene in 1972, it exuded something different…some kind of “timeless cool” with it’s imposing John Bunyan raccoon album cover and understated country sound setting it apart from everything else out there. Not psychedelia, not rock exactly, and certainly not the LA sound that was hip at the time. It was, as it has since been coined, the “Tulsa sound”. Many have covered John Weldon Cale’s music and many have become rock standards while others languish only to be rediscovered year after year by new listeners who hear that “timeless cool” and those breezy treasures he left us. We’ll feature a number of covers today, as well as his own originals in a show that will take you down a river whose currents are slow but determined.
Bad Road To The River
It’s been a while since we went free form so today’s show takes our regular breather from genre-focused explorations, theme, retrospectives and artist-inspired shows. There will be all of that found in the mix this morning. Interspersed between some fresh sounds from the likes of Dylan LeBlanc, Charley Crockett, and a newly revealed Johnny Cash nugget, we’ll be sharing everything from Dave Brubeck to Los Indios Tabajaras, Marvin Rainwater, and Johnny Thunder in our show today. From a pair of Memphis Minnie covers, some country classics from Patsy Cline, swinging rhythm from Louis Jordan, and straight-ahead rock from The Doobie Brothers and The Georgia Satellites…it’s a Friday morning full of Duane Eddy tributes and we’ve even got Slim Whitman…just for you on Sonoma County Community Radio, broadcasting on the FM airwaves out of Occidental, California, and streaming to the whole wide world on kowsfm.com/listen. KOWS-LP 92.5 FM is “Free Speech. No Bull” Community Radio.
That’s The Spirit
There’s hardly a branch or root extension of American music that is not somehow connected the gospel. The themes of love, betrayal, birth, death, and the soul’s redemption have all long been played out repeatedly in the pulpit each and every Sunday. Thoughts and prayers are easily spent when the hard work isn’t as palpable to deal with. This week’s show blends the gospel of the Baptist, Pentacostal and Church of Christ as they were the big leader of the rafter shakers on the way to “Beulah Land” with a little bit of swing and country favorites. Tune in for music that runs the gospel gamut from the Soul Satisfiers of Philadelphia and the Gospel Songbirds to Sister Oda Mae Terrell and the country pairings of the Chuck Wagon Gang, Mac Wiseman, Kitty Wells, and of course, Johnny Cash and Willie Nelson. Deeper Roots revisits some gospel classics in another Friday morning blend of the past 100 years of America’s music. Here on KOWS Community Radio. Free Speech. No Bull.
Celebrating Smokey
The songs of Smokey Robinson have stood the test of time, remaining popular and relevant across generations. His compositions have been covered by artists from various genres, further cementing a legend as one of the greatest songwriters of his era. This week, we take a walk through a handful of the many classics he gave us, spanning three decades, focusing primarily on the Motown song machine classics from The Marvelettes, Marvin Gaye, The Temptations, Mary Wells, and, of course, his own group The Miracles. There is no question that his songwriting style and lyrical finesse have influenced generations of musicians and, coupled with his ability to blend heartfelt lyrics with catchy melodies, standards were set for songwriters in the R&B and soul genres; not to mention the groundswell of the sixties sound of Berry Gordy’s Motown Records. A morning of pure soul and pop that will include some sweet contemporary covers (if we can squeeze them in).
Cuppa Joe
The history of coffee consumption in 20th century America takes hold in the small cafes, truck stops and coffeehouses which became venues and social spaces for the community. Like music, they helped with the congregation of like minds and served as hubs for intellectual exchange, artistic expression and social activism. And it was all because of the caffeine. Instant and decaf coffees were just an aberration; much like disco. This week’s Deeper Roots drives the theme of coffee home with tracks that span the century including Emmett Miller, the King Cole Trio, The Bobs, Ella Mae Morse and Merle Travis (among others) to tell us a cuppa tale or two. It’s one more Friday show ahead of next week’s 420 observation…one more libation to celebrate.
Rhythm Roller Coaster
Swing and jazz music of the late 1930s had just enough time to raise a small ruckus before the second World War broke out. After a celebratory wave swept the nation, there was a need for more of the same but with an upbeat but harder drive to it. It didn’t take long for pre-rock R&B to become popular across demographics as it would gain significant traction among urban youth, particularly in the central hubs of New York, Chicago, Detroit, LA, and New Orleans. This week’s show features a roller coaster of great sounds including tracks from Varetta Dillard, The Lollypoppers, The Flairs, and Little Johnny Jones & The Chicago Hound Dogs. You don’t want to miss this wild ride.
Space Race Rock
What a time it was. The surprise of Sputnik in the early fifties led to a space race, a technological competition that had a profound impact on popular music (not to mention popular culture), providing musicians (and would-be musicians) a rich source of inspiration and contributed to some of the most iconic, as well as comic and out of this world, songs of the era. Themes of space travel, the moon and Mars, and even flying saucers were rampant on the airwaves. And one can only ascribe the fear of aliens to the number attempted novelty bits that reflected that trepidation. Laughter is, after all, a natural way for fear to be released in humankind. This week we’ll be sharing some of the classics, as well as the unknowns, including Jesse Belvin & His Space Riders, The Drivers, Merv Griffin, The Big Bopper, Dave & The Detomics and quite a few more that even if we were to share their names, you’d probably scratch your head anyway.
Scenes Of Devastation
There’s going to be a free form mix of sounds this week with some ‘scenes of devastation’ as well as some blues and tradition. We’ll set the tone with a song that inspired the title lines from The Pine Hill Project and then head into some tradition and some covers that speak in the language of the sacred and secular…from Saturday night at the juke to Sunday morning in the pew. A great mix of sounds from some classic female blues gems from the 1940s like Wea Bea Booze and Ethel Waters. We’ll also go down to the crossroads and Deep Elem with the likes of Champion Jack Dupree and T-Bone Walker, some deeper/darker blues from Geeshie Wiley and Blind Lemon Jefferson as well. But we’ll also fill the air with the tops in great interpretations from Van Dyke Parks, Willie Watson and Bob Brozman. Join us for some ‘last kind words’ from the Rocky Road Blues to James Alley on a Friday morning in West County.