The second installment in our exploration of the Alan Lomax book of the same name, this time focusing our energies on tradition in gospel and spiritual. Leader-chorus work songs to lighten the load of heavy labor; dancing songs to quicken the spirit on those rare holidays; and spirituals to replace their lost African religions and to console in times of physical torment and spiritual degradation are all captured here, including the stories and lineage behind the original pieces. We’ll hear from a diverse selection of performers including The Dixie Jubilee Singers, Odetta, Nina Simone, Tom Waits, Eva Cassidy, and many others.
Category Archives: Gospel
Deeper Blind Willie Johnson
Blind Willie Johnson’s music seems to resurface through discovery with each generation and understandably so. Because tied to the meager catalog of thirty songs that he recorded over some four sessions between December, 1927 and April, 1930, is a dark and foreboding voice in the night. Its glow is that of a solitary candle in a room of shadows in a house whose bones have fallen to derelict and decay. Willie is telling us to take notice.
The story of Blind Willie Johnson was best transcribed in Sam Charters’ introduction and liner notes for Columbia’s Roots & Blues Series’ “The Complete Works of Blind Willie Johnson”. We’ll go a bit deeper, dedicating our two hours to Blind Willie Johnson featuring tracks from the new tribute album “God Don’t Never Change: The Songs of Blind Willie Johnson”, some classic recordings of Blind Willie, as well as covers of every stripe and style.
Deeper Roots Ragtime
Our theme this evening is ragtime and it’s impact on the past century of America’s music. Join Dave Stroud for a themed collection of early and mid-century ragtime beginning with Cliff Edwards and running all the way through to some modern sounds out of Hamilton County, Tennessee. We’ll explore the Tiger Rag, the Maple Leaf Rag, the Black Mountain Rag, and then settle in for some of the sounds of Deep Elem. Music embellished with the stories of the performers, the theme, the songs, and the time…something you can’t get but on community radio.
Higher Power Country Gospel
We visit the classic sounds of country and bluegrass with thematic overtones of gospel. The love of country music often had its roots in a performer’s childhood memories of community church and the sound that would evolve from country and bluegrass provided a tone that grew from those memories…with a tenor that could easily echo the word’. The greatest of them elevated their popularity with their flock by invoking the name of that higher power of God and church in the community of bluegrass: The Stanley Brothers, Mac Wiseman, Ricky Skaggs, Doyle Lawson, and even country groups like the The Louvin Brothers and The Whitstein Brothers made gospel a core of their repertoire.
Roots of Doo Wop
The early fifties brought the dawn of a musical form that became popular with a younger crowd although it was simply a version of a vocal harmony form born in the early century, if not long before. The street corner harmonies were a big hit as this new form of rhythm called ‘doo-wop’ saturated the top 40 R&B (and mainstream) airwaves. But the influences themselves had huge followings. We’ll hear from some of the early gospel inspirations like the Heavenly Gospel Singers as well as the vocal groups who were dominant in the form’s lineage: The Ink Spots, The Mills Brothers, and The Ravens. We’ll also hear from the groups who introduced ‘doo wop’ as we know it in the early fifties.
Soothe Me – KOWS 12/9/15
In this episode, Deeper Roots will feature a wide range of sounds from a host of performers. There will be the topical sounds of courtroom drama featuring R&B from Johnny Otis, classic country Ernest Tubb, and country blues from Carl Martin. We’ll also feature a set that looks at “My Bucket’s Got a Hole In It” from a cross-section of talents and genres…and we’ll be soothed with some deep gospel, folk, and soul. Dave will also share a new track from singer/songwriter Steve Forbert’s latest album “Compromised” as well as some contemporary tracks from Marty Stuart, Jorma Kaukonen, and Joe Ely.
Main Street – KOWS December 2, 2015
A bit of a celebration is in order. We will be broadcasting live from the new KOWS studios located in downtown Sebastopol with a playlist that scours the last century of America’s music for relevant sounds and themes that relate: songs of settling into home, saying goodbye, moving on, going west (or east, that is), and ‘getting gone’. We’ll feature The Cats & The Fiddle, local favorites Markus James and Doug Blumer & The Bohemian Highway, “Little” Jimmy Dickens, and a host of others who welcome us into our new home on Gravenstein Highway…or, as it is formally known hereabouts, Main Street.
Take Me Back – KOWS Nov 18, 2015
Our final show at the old KOWS studio will feature the lineup you might expect…with a couple of themes running through it. The ‘take me back’ theme works well as we bring in Tennessee Ernie Ford, Jimmy Rushing, and Peter Rowan to make the plea and we’ve got the gospel themed pleas of working on a building from The Highway QCs. In addition, we’ve got some doo-wop, some ladies whose theme was ‘blues is her business’, and a run of country swing and bluegrass…all packed into two hours of elementary roots. Tune in after dinner for dessert.
High Noon
It’s a new morning…as it always is…and was when we celebrated another Saturday morning in Occidental with Deeper Roots Radio: A Century of America’s Music with host Dave Stroud. This twice-monthly show opens with a mule kicking in the stall, some barnyard rhythm and then moves swiftly into a blend of 1950s country and big band. Ray Charles, Frankie Laine, Chick Webb, Otis Spann, and Merle Travis are just a sampling of performers we’ll hear from. West County living deserves roots music wafting over the airwaves on a Saturday morning in early autumn. Let’s set the airwaves stage with some Otis Spann.
The Dust-to-Digital Label
Our weekly KWTF show is about a label whose chief purpose is the resurrection of that curious mix of ephemera, folklore, ancestry, and musicianship that reveals itself as folk music: whether it be pre-Monroe bluegrass, gospel, blues, or early pop. The label I speak of is Dust-To-Digital and we’ll scratch the surface of some of the great work that they’ve issued since 1999, the year Lance Ledbetter and his wife April open shop in Atlanta, Georgia.Their mission is the same as it was then: to produce high quality cultural artifacts.
Pitchfork magazine put it this way: “Although the folklorists lugging around tape recorders (and the performers carrying on ancient traditions) are worthy of much heralding, it’s equally astounding how essential Lance Ledbetter’s work at Dust-to-Digital has been to the preservation of traditional American folksong. It’s easy to buy and appreciate these sets without realizing that the bulk of the material might have been lost — or, at the very least, tethered to archives, readily accessible only to curious faculty, paper-writing students, and bespectacled researchers — without Ledbetter’s interference.”