Category Archives: Jazz

Blues Divas

Blues Divas
Blues Divas

Some time ago, Deeper Roots explored the female blues pioneers of the early century in a show called “Black Pearls”. In this week’s episode, we’re going to move forward in time a bit, into the mid-century to explore the ‘inheritors’, those women who were influenced by the blues stylings of Sara Miles, Sippie Wallace, and Victoria Spivey. Performers this week will include Julia Lee, Lil Armstrong, Nellie Lutcher, and many others in an episode titled “Blues Divas”. Post-Depression and Post-War jazz, R&B, and blues sounds from some of the influential female artists who, in step with their early century counterparts, would go on to provide a foundation for the many who would follow. Be sure to tune in.

Deeper James Booker

Deeper James Booker
Deeper James Booker

Every now and then Deeper Roots will take a step back and look at the unknowns, not for their anonymity as much for their stories and why their music is so important to the American story. A documentary was recently released entitled “Bayou Maharajah: The Tragic Genius of James Booker”, http://www.bayoumaharajah.com/ directed by Lily Keber. It tells the story of the classically trained session man and we’re going to also explore the contributions that Booker made to the music of others, his quirky yet brilliant talent in performances of his own, and we’ll also share some of the stories of James Booker’s celebrated ups and tragic lows.

Jazz Guitar

Jazz Guitar
Jazz Guitar

In this episode of Deeper Roots, we explore the diverse sounds of jazz guitar, featuring some of the very best from the early century where the masters defined the role of guitar in trios, quartets, and then finally in the jazz band.  In the early century, the guitar was relegated to either solo performances or in smaller ensembles where there was no competition other than strings. It didn’t really have much of a chance in the jazz scene where horns and percussion would simply drown the strings out making it not only impossible to record but impossible to hear in a live performance. All of that changed, of course, with the invention of the electric guitar allowing the sound to come through, holding its own with the saxophone or trumpet.

Our show will feature a number of early blues and jazz practitioners who crafted a sound into gold and paved the way for others. We’ll hear from many of the early gems from the likes of Eddie Lang, Charlie Christian, Tampa Red, Lonnie Johnson, as well as the inheritors including Wes Montgomery, Tal Farlow, and Kenny Burrell.

Early Duke Ellington

Early Ellington
Early Ellington

In this episode of Deeper Roots, we explore the early works of a giant of American popular music: Duke Ellington. His career spanned over a half century where he composed thousands of songs for stage, screen, and the contemporary songbook. He called his music “American Music” and his signature sound, particularly in the early years, was unmistakable. This was in large part because he searched out musicians with unique playing styles such as Bubber Miley, Joe Nanton, Cootie Williams, Rex Stewart, and the great alto saxophonist. While our focus will be on the pre-War Elligton classics, we’ll also catch the early versions of “Sophisticated Lady” and “Take the ‘A’ Train” and, at the same time, include some telling excerpts from a few different interviews.

 

Honky Tonkin’

Honky Tonkin
Honky Tonkin

This episode will look at the roots of Honky Tonk: a place where, on one side of the track you, as Roosevelt Sykes points out in “The Honeydripper”, you had the blues performer as Doctor who prescribed Blues as a cure for the Blues and on the other, you had the country sound of Moon Mullican who demanded that the beer bottles danced on the table when the band got rockin’. We’ll spend our time exploring the early sounds of Big Maceo, Albert Ammons, and Jimmy Yancey and move down yonder to the country bars where boogie woogie was also understood. The country honky tonk sounds of Merrill Moore, Bobbie Nelson, Jerry Lee Lewis, and a handful of others will get their chance to entertain. Boogie woogie came to the country and it was retooled and renamed as honky tonk.

Big Band and Swing Standards

Big Band and Swing Standards
Big Band and Swing Standards

This episode of Deeper Roots will feature Big Band Standards done by others as well as by the greats of the genre. Swing and sway with the sounds of “At the Woodchopper’s Ball”, “Take the A Train”, “Little Brown Jug”, “One O’Clock Jump”, and a number of others. The performers cross the divide…Bob Wills, Nina Simone, The Mills Brothers, Benny Goodman, George Harrison, Merrill Moore, and others. The big band sound had an energy and personality that was made for the urban clubs, but it would also make itself known as more than just a pop or jazz phenomenon…it became the music of a generation that found a broader audience at barn dances, Elks’ Halls, theaters, and the larger venues of the present day. It’s roots music with a swinging groove and drive.

Deeper Louis Armstrong

Deeper Louis Armstrong
Deeper Louis Armstrong

Join Dave Stroud for the music of Louis Armstrong, from the early King Oliver days to popular tunes of the late century. Probably the most important musician to come out of the 20th century, he took the blues and established it as jazz’s harmonic foundation, well beyond the ‘fashionable’ jazz of the day. He introduced a style of singing called ‘scat’ that was to be mimicked by others including Ella Fitzgerald, Billie Holiday, and Bing Crosby. He created masterworks based on Tin Pan Alley songs that went beyond his original New Orleans influences, showing that jazz could expand musically and commercially. And there is little doubt that he introduced the form we know as ‘swing’ today.

With the rise of be-bop and modern jazz, some of the newcomers (Dizzy Gillespie being the most vocal) pushed Louis aside with a new sound in jazz and words that were youthful miscalculations at the least if not disrespectful altogether. But it was time that would prove Louis’ music and his stature in the history of the American musical art form that remains abiding and durable. Those newcomers would recant and recognize the true mark of genius.

We’ll feature two hours exploring the career of Louis Armstrong in both music and in his own words.

Saturday Night Fish Fry

Saturday Night Fish Fry
Saturday Night Fish Fry

Take a trip with Deeper Roots as we visit a Saturday Night Fish Fry featuring Eddie Williams and His Brown Buddies, Cab Calloway’s “Everybody Eats When They Come To My House”, Duke Ellington’s tribute to the “Saturday Night Function”, and songs of house rent parties, Saturday evenings, and Fats Waller will tell us about “Functionizing”.  It has always been about blowing off steam after a long week…and swinging, rocking, and having a ball.

Kansas City Jazz

Kansas City Jazz
Kansas City Jazz

This episode of Deeper Roots features performances from Count Basie, Bennie Moten, Andy Kirk & His Twelve Clouds of Joy, Kansas City Kitty, and a host of others.  Kansas City is considered (along with New Orleans, Chicago, St. Louis, and New York) one of the more popular “cradles of jazz”.   Most of the jazz musicians associated with the new jazz style in the early days came from elsewhere but got caught up in the friendly musical competitions among performers that could keep a single song being performed in variations for an entire night.  And the music of the Kansas City big bands were often composed and arranged collectively in a manner known as “head arrangements”.

The Devil Ain’t Lazy

The Devil Ain't Lazy
The Devil Ain’t Lazy

“The Devil Ain’t Lazy” is a song by Bob Wills and His Texas Playboys and it is also the title of this week’s Deeper Roots show. In our weekly ramble through the last century of America’s music this Friday night at 9, we explore how that malevolent spirit known as the devil has been a foil and muse in song.  We start it off with the Almanac Singers and the Irving Berlin piece from pre-war, “Get Thee Behind Me Satan”,  move into a  1928 musical sermon called “Warming By the Devil’s Fire”, and find ourselves in country bible land with the Louvins, Hank Williams, and Marty Stuart. In between we’ve got lots of jazz, gospel, blues, and some modern revelations about our culture’s call and response with Lucifer himself.