Paramount Records was born in 1917 and in the mere fifteen years of their existence they would introduce some of the greatest names in the blues. Ma Rainey, Blind Lemon Jefferson, Charley Patton, Skip James, and Papa Charlie Jackson are but a few. In 2013, Jack White’s Third Man Records teamed up with Revenant Records to release the first of what would become one of the most ambitious attempts at documenting the story of a record company born from a furniture company that was driven to create product for the record cabinets they sold. Based on the book “The Rise and Fall of Paramount Records”, part two of the omnibus will be released later this year (or in early 2015).
This week on Deeper Roots, we share some of the story…and a lot of the music which was not necessarily limited to the blues but also some incredible gospel, mountain, and jazz recordings. When listening through what Dean Blackwell of Revenant Records calls the “gauze of static”, you’ll hear the music of the last century come alive. Tune in Friday night at 9 o’clock for a rare listen.
It’s another two hours celebrating the best of the last century of America’s music on Deeper Roots. In this week’s episode, Dave Stroud will be exploring the secular side of Thomas Dorsey, as Dorsey performed early century blues as Georgia Tom, and then more about Dorsey’s sacred side as the Reverend Thomas Dorsey in the mid-to-late century. As the Great Depression brought chaos to the lives of many, including the performers of the day, Dorsey finalized a lifelong transition from the secular to the sacred, although there is clear evidence that personal misfortune had its hand in the move. The evening’s playlist includes excerpts from Dorsey interviews, music by contemporaries and those who were influenced by his music, as well as pieces performed by Dorsey as Georgia Tom, featuring Tampa Red on guitar. Johnny Cash, Sister Rosetta Tharpe, Kansas City Kitty, Clara Ward, and Sweet Honey in The Rock are among the acts who we’ll hear in a show called “Deeper Thomas Dorsey”.
Join Dave Stroud once more as he digs into those dusty digital gospel bins for a selection of songs that celebrate the celestial sounds of a number of the greatest sacred hymns and gospel tunes from the past century of America’s music. “Wade In The Water”, “I’m On My Way To Canaan Land”, “I’ll Fly Away”, and many other classic gospel standards will be covered by some of the great gospel performers as well as those from the secular stable. We’ll hear from Bill Monroe, Blind Willie Johnson, Taj Mahal, Mahalia Jackson, and the Reverend Pearly Brown in a special Deeper Roots show called “Great Gospel Tracks”. Tune in for a show that explores the roots of sounds that explore those sounds of both Europeanized black church music as well as those that have their basis in the holiness-Pentecostal (or sanctified) movement.
Deeper Roots: A Century of America’s Music goes deeper…back 87 years to the summer of 1927 when Ralph Peer, a producer for the Victor Talking Machine Company visited the town of Bristol, Tennessee scouting for talent. He brought with him the equipment necessary to capture those first-take performances which would come to be known as The Bristol Sessions. From late July through early August artists such as The Carter Family, Jimmie Rodgers and the Stoneman Family made recordings in a makeshift studio inside downtown Bristol’s Taylor-Christian Hat Company. Johnny Cash once said that “These recordings…are the single most important event in the history of country music.”
Join Dave Stroud as Deeper Roots goes beyond the more notable names from these recordings and, with a certain leaning to the country sounds, he will also reveal the gospel and folk tradition that came out of these and the later Johnson City Sessions. We’ll hear from The Johnson Brothers, The Stamps Quartet, Alfred Karnes, Uncle Eck Dunford, and a host of others.
We’re going to revisit the theme of gospel music in this episode of Deeper Roots, specifically those sounds of the many different groups that set the stage for a time known as The Golden Age of Gospel. The first half of our show will focus on those performers, performances, and sacred pieces that influenced post-war black America and we’ll follow with a modest selection from the Golden Age that, interestingly enough, seems to parallel that of the Golden Age of Country Music…those two decades covering 1945 to 1965.
We’ll wade into the Baptist and Pentacostal waters that would influence the secular sounds of popular R&B, soul, and rock ‘n roll by shaking the sacred out of the rafters and into the American airwaves of the later years…and make no mistake, the influence of the gospel groups that followed from the 19th century and into the 20th cannot be understated. We’ll hear from the Jubilee Quartets of course, including the Selah Jubilee Singers, the Golden Gates, the Dixie Jubilee Singers…and we’ll also hear some fine contemporary pieces from the Blind Boys of Alabama. You won’t want to miss out.
“The Devil Ain’t Lazy” is a song by Bob Wills and His Texas Playboys and it is also the title of this week’s Deeper Roots show. In our weekly ramble through the last century of America’s music this Friday night at 9, we explore how that malevolent spirit known as the devil has been a foil and muse in song. We start it off with the Almanac Singers and the Irving Berlin piece from pre-war, “Get Thee Behind Me Satan”, move into a 1928 musical sermon called “Warming By the Devil’s Fire”, and find ourselves in country bible land with the Louvins, Hank Williams, and Marty Stuart. In between we’ve got lots of jazz, gospel, blues, and some modern revelations about our culture’s call and response with Lucifer himself.
This episode of Deeper Roots explores music celebrating the “Father of The Waters”, “The Big Muddy”…”The Mighty Mississippi”. Between its head, Lake Itasca in Minnesota, to the point where it empties into the Gulf of Mexico, the Mississippi is responsible for the watershed of 31 states, although its banks only border on 10 of them. Over the centuries, it’s been an inspiration in traditional song and story. Join us as we are entertained by the likes of J. J. Cale, The Mississippi Sheiks, Bessie Smith, Dr. John, and a host of others in a show about a natural wonder that is part of our national identity.
Enjoy another slice of heaven from a century of America’s music . Deeper Roots features “That Gospel Sound” exploring the music of singing groups like the Fisk Jubilee Singers who joined a mounting number of performers who celebrated not only religion but tradition and heritage in their performances. We’ll also hear from the Dixie Jubilee Singers, Thomas Dorsey, Josh White, and some country gospel from Roy Acuff, The Carter Family, and others.
Post-slavery singing groups like the Fisk Jubilee Singers trained their voices to sing the cultured songs of European composers, but it was always “Swing Low, Sweet Chariot,” “Ezekial Saw the Wheel” and the rest of the slave songs segment of the program that brought audiences to their feet. Our show will feature Fisk Jubilee Singers as well as Arizona Dranes, Thomas Dorsey, and the Dixie Jubilee Singers.
We visit a mix of genres that celebrate the sacred and the sanctified in an episode entitled “Deeper Gospel Roots”. The mix includes early influential pieces from Arizona Dranes and the Alabama Sacred Harp Singers and explores the southern Baptist influence on gospel music with the inevitable undercurrent of themes that are also found in the country sounds of performers such as Molly O’Day and Cumberland Mountain Folks and The Louvins…as well as the sanctified blues of Charley Patton and the Reverend Blind Gary Davis.
We’ll also take some time to sample some rare urban influences including the electric guitar disciples from the Boddie Recording Company of Cleveland, Ohio and the sounds of late century ‘sacred steel’. Don’t miss out…join Dave Stroud as he guides us through the performances from the last century of America’s music.
This episode will be posted to Mixcloud in the near future.
In this installment of Deeper Roots, a special edition dedicated to the music of Sister Rosetta Tharpe. Born Rosetta Nubin in Cotton Plant, Arkansas, she began her career at age four performing with her evangelical mother in shows that were part sermon, part gospel concert, and energetic events that got the audience moving. She influenced a great number of performers who would go on to take her secular message into a realm that, for all intents and purposes, she had created: rock and roll. Her electrifying guitar work complimented her voice and she left us with a legacy of recordings that has no peer. Join Dave Stroud Friday night at 9PM as he explores her influences, those she influenced, and music from Sister Tharpe herself.
This episode will be posted to Mixcloud in the near future.
