We’ve got ‘songs of the sauce’, so to speak. Our show will feature a century of America’s music with stories of moonshine, rye whiskey, bubbles in the beer, bartenders, and hangovers going as far back as 1928. But we’ve also got a Bob Wills tribute piece from a new Asleep at the Wheel release, indie rockabilly from new Austinians Tammy Lynn & Myles High, R&B truckers The Harlem Hamfats, and local favorite David Luning. Join Dave Stroud for another two hours of a century of America’s Music on KWTF, member-supported community radio for Bodega Bay and all of Sonoma County.
We have yet another free form fest of roots music emanating from the bright sun of a Saturday along the Bohemian Highway, live from the KOWS studios in downtown Occidental, California. We both start and wrap up the show with Cliff “Ukulele Ike” Edwards, sharing country, blues, and new Americana in between. We’ll hear from Flaco Jimenez pair up with Dwight Yoakum, the essence of Randy Newman’s portrait of the South, western swing with Willie and Spade, and new music that fits our roots sensibilities from Steve Earle, Robert Earl Keen, Jr., and Jorma Kaukonen. Tune in for two hours of classic roots music.
We’re sitting in for KOWS’ astrologer Matt Savinar in a show that swings with the jive to open things up and then heads down the path of tradition, New Orleans and zydeco spicing, country swing, and an assortment of gospel classics. In particular, we’ve got sets that are a precursor to our Friday and Sunday night specials about Blind Willie McTell, country swing that opens with the magical guitar work of Les Paul, and we remind everyone that Mardi Gras is just around the corner, with a set featuring Professor Longhair, Eddie Bo, and Snooks Eaglin. Join us in this special two hour ‘stand in’ show.
The railroad is the muse for the morning here in Occidental as the show uses the theme of the railroad: the stories of those who built it, the promise of the golden sunrise that awaits at our destination, the sorrow of a love taken away by rail, and the lonesome whistle from some far away valley. As an aside, did you know that Occidental itself was once a bustling community where the train would haul off the timber and bring tourists from San Francisco and cities beyond?
Join us for the sacred and the secular, including Peter Rowan, ELVIS PRESLEY, Kevin Russell, Paul Warmack & His Gully Jumpers, Furry Lewis, and many others as we explore the genres of bluegrass, blues, folk, jazz, country, and so much more. #rootsmusic#railroad#Americana
We’ve got a special Monday episode of Deeper Roots. The show originally broadcast live from the KOWS studios in Occidental, California, opens with some Light Crust Doughboys, fires up some modern country gospel from the Watson Twins and Johnny Cash, then goes for the jugular with a collection of Baptist-flavored gospel from Moses Mason, Mother McCollum, and Madam Edna…and that just scratches the sacred surface. The show also features the secular: jump blues from Jesse Price, jazz from Lincoln Center and Willie “The Lion” Smith. Had enough? You won’t. Be sure to check it out.
This episode will look at the roots of Honky Tonk: a place where, on one side of the track you, as Roosevelt Sykes points out in “The Honeydripper”, you had the blues performer as Doctor who prescribed Blues as a cure for the Blues and on the other, you had the country sound of Moon Mullican who demanded that the beer bottles danced on the table when the band got rockin’. We’ll spend our time exploring the early sounds of Big Maceo, Albert Ammons, and Jimmy Yancey and move down yonder to the country bars where boogie woogie was also understood. The country honky tonk sounds of Merrill Moore, Bobbie Nelson, Jerry Lee Lewis, and a handful of others will get their chance to entertain. Boogie woogie came to the country and it was retooled and renamed as honky tonk.
Bob Wills’ name will forever be associated with Western swing. Although he may not have invented the genre he was certainly responsible for popularizing it and would single-handedly change its rules and, in the process, reinvented the rules of popular music. Bob Wills and His Texas Playboys were a dance band with a country string section that played pop songs as if they were jazz numbers. Their music expanded and erased boundaries between genres. It was also some of the most popular music of its era. Throughout the ’40s, the band was one of the most popular groups in the country and the musicians in the Playboys were among the finest of their era. As the popularity of Western swing declined, so did Wills’ popularity, but his influence is immeasurable and he would find a resurgence in the recognition as a foundation of country and rock in later years..
The Golden Age of Country. That’s our theme. Join Dave Stroud, host of Deeper Roots, as he takes you through the sound of popular Country music of the 1950s and early 1960s, a time often referred to as “Classic Country”. It was one of the bridges to popular country today, hardly recognizable now from the sounds that were to one day compete with a new form of popular music known as rock ‘n roll. But this classic country sound was itself a sound that was hard to connect to the 1920s hillbilly and Appalachian sounds from which it had evolved. Its sound was an amalgam of 1940s country swing, middle-of-the road pop music, and elements of almost every form of American music. It was a more familiar , safe, and palatable place on the radio dial for those middle American values of the time. We’ll hear the classic sounds of Lefty Frizzell, “Little” Jimmy Dickens, Hank Snow, Kitty Wells, and many others in this episode of Deeper Roots: A Century of America’s Music
Deeper Roots looks at one of the many precursors to rockabilly and rock ‘n roll. Hillbilly boogie is a term used to describe an early pop music fad that blended early 20th century boogie woogie piano style, popular black music of the time, and western swing. Now many will say that it started with Arthur “Guitar Boogie” Smith but we’ll hear the swing and boogie woogie sounds that predated Smith. And the word was “boogie”. Boogie Woogie Baby, New Broom Boogie, Birthday Cake Boogie, Cherokee Boogie…well, you get the idea. We’ve got all of those and more with performances from Tex Williams, Hank Penny, Johnny Bond, Rose Maddox, and many more. Join Dave Stroud for another journey through a century of America’s music here on listener-supported community radio for Bodega Bay!
This week’s Deeper Roots show revisits country swing. Join Dave Stroud tonight at 9 for the sounds of Tex Williams, The Sons of the West, Spade Cooley, Hank Penney, and a host of others whose sounds attracted huge crowds to the dance halls and clubs in Texas, Oklahoma, and California during the thirties and forties. With its basis in jazz and ‘gypsy jazz’, its sound is an upbeat amalgamation of rural, cowboy, polka, folk, blues, and Dixieland jazz, all played by the hot string bands who gave it a distinctive sound with amplified steel guitars, stand-up bass, fiddle, as well as an occasional accordion or brass accompaniment. It’s still alive today…you just need to look.
