“A Dime Looks Like a Wagon Wheel”….a phrase that was used to indicate how fortunate you felt when just a little seemed so big when you had so little to start with. Old timey music, some sweet R&B from Sam Cooke, country styles from Johnny Cash and Hank Thompson, folk and blues from Dave Van Ronk, Woody Guthrie, and Peter Rowan….and newer sounds from The Far West, Steep Canyon Rangers, and Howell Devine. Two hours of Deeper Roots looks like that same wagon wheel…it goes by fast and we’ll have the very best of American roots music from the past century Saturday morning at 9am on KOWS.
No.
1
Artist
Title
Album
Buy
2
Hardrock Gunter
Boogie Woogie On A Saturday Night
Boogie Man Boogie
3
Rosanne Cash
Big River
Right or Wrong
4
Johnny Cash
Big River
Get Rhythm [Sun]
5
Bill Monroe
Big River
Bluegrass 1959-1969 [Disc 1]
6
The Nashville Bluegrass Band
The Johnson Boys
American Beauty
7
Don Reno/Red Smiley
A Dime Looks Loke a Wagon Wheel
Together Again
8
Steep Canyon Rangers
Good Old Country Baptizing
Mr. Taylor's New Home
9
Bobby Hicks & Del McCoury
We're Steppin' Out Tonight
Bluegrass Number 1's: A Collection of Chart-Topping Songs
10
Willie Nelson
Texas on a Saturday Night
Revolutions of Time: The Journey 1975-1993 Disc 2
11
Red Foley
Tennessee Saturday Night
Hillbilly Fever [Disc 2]
12
Ella Mae Morse
Tennessee Saturday Night
The Morse Code [Disc 2]
13
Frank Sinatra
Saturday Night (Is The Loneliest Night In The Week)
Swing And Dance With Frank Sinatra
14
Sam Cooke
Another Saturday Night
Portrait Of A Legend 1951-1964
15
Junior Brown
Long Walk Back to San Antone
Long Walk Back
16
The Green River Boys feat. Glen Campbell
Poor Boy Looking for a Home
James Burton – The Early Years 1957-1969
17
Hank Thompson & His Brazos Valley Boys
New Green Light, The
Vintage Collections
18
Roy Rogers
I Can't Go on This Way
1942-1947 (Warped 4561)
19
The Far West
Maricopa City Lights
The Far West
20
Bo Diddley
I'm Looking For A Woman
His Best: The Chess 50th Anniversary Collection
21
Markus James
Diddley Bow and Buckets
Head For The Hills
22
Howell Devine
Devil Got My Woman
Delta Grooves
23
Skip James
Devil Got My Woman
Ghost World
24
Rory Block
Devil Got My Man
Gone Woman Blues: The Country Blues Collection
25
Bonnie Raitt
Danger Heartbreak Dead Ahead
Bonnie Raitt
26
Peter Rowan
Dust Bowl Children
Dust Bowl Children
27
Woody Guthrie
Blowing Down That Old Dusty Road (Going Down the Road Feelin' Bad)
Second Saturday on KOWS…that means a vintage blend of Deeper Roots. Our show opens with some contemporary bluegrass and gets right down to business with some country gospel and blues with an opening admonition from Sister Aimee Semple McPherson punctuated with songs of drinking and old time religion. From there we move on to the jazz sounds of Fats Waller and a run of mid-to-late century country featuring Patsy Cline, Willie Nelson, and the sass of Johnny Cash and June Carter Cash. It’s another beautiful spring morning in the small West Sonoma County hamlet of Occidental…nestled in the woods along the Bohemian Highway and celebrated from the studios of KOWS Community Radio.
It’s theme time once again on Deeper Roots. We’ve got songs that explore the topic of jails, prisons, work farms, and the incarcerated. There we find the overnighters, the vagabonds, the jealous lovers, the desperate thieves, and the stories of ladies and gentlemen on both sides of the bars. There will be old-timey cowboy classics from Vernon Dalhart and Carl T. Sprague, modern covers by David Johansen and The Byrds, blues from Lightnin’ Hopkins and Blind Boy Fuller, and a whole lot more. Join us for the stories of the songs and performers this week on Deeper Roots.
It’s our regular (well, even Saturday mornings) show featuring an early country and bluegrass set featuring new sounds from Steve Earle and Robert Earl Keen, Jr. alongside the classic sounds of Buck Owens, Leon Chappell and The Louvins. We’ve got gospel and blues as well as a rare set of sounds from the second omnibus of “The Rise and Fall of Paramount Records”, classic late twenties country and blues. Stay tuned for your morning dose of brew d’Roots and American Roots Breakfast Tea on a spring Saturday morning in West Sonoma County.
Just ahead of World War II, a sound began to bubble up through the floorboards. There was the new, brash, swinging sound of big bands, country swing had surfaced, and jazz was alive and well as an evident inspiration to both. But there was a raw, bluesy, expressive, jump sound coming from the barrooms and halls of the urban expanses of Chicago, Kansas City, New York City, and beyond; something that would become known as R&B and would later be the bedrock of rock and roll. Deeper Roots explores the sounds of Big Joe Turner, Wynonie Harris, Buddy Johnson and a host of others, including the ladies: Effie Smith, Nellie Lutcher, Julia Lee, and Viola Wells. This episode has them all and more…
While Bob Dylan’s greatest early influence was likely Woody Guthrie he spent his career exhibiting both love and thievery of the Americana music canon. Love, in the sense that he would pay tribute and admire the story-telling, and theft, in that he would copy old lines for his own purposes or reassemble them into a larger story. His not-so-obvious album release titled “Love and Theft” hints at his own sardonic wit in the matter.
Pablo Picasso has been quoted thusly: “Good artists borrow, great artists steal.” It’s a concept that goes back much further. The works of T.S. Eliot discuss the concept of how artistic theft leads to the creation of new ideas in art and many of the early playwrights, Shakespeare included, would steal in part or in whole. The argument that Dylan’s intentions are somewhat more nefarious in the era of copyrights and royalties is likely misguided because it assumes that no artist would have previously been paid for their ‘pilfered’ works.
In this episode of Deeper Roots, first broadcast on KWTF Sonoma County March 20, 2015, we’ll spend two hours mining through some of those influences with music from Jerry Garcia and David Grisman, Doc Watson, Frank Crumit, Mississippi John Hurt, and the bard himself in an episode titled “Bob Dylan and Tradition”. In keeping with our theme, parts of today’s show are loosely based, or maybe paraphrased, from a wonderful study of Dylan’s career in the context of American tradition including minstrelsy, gospel, folk, country, pop, and blues…all of those things that Dylan has imparted in sometimes not-so-subtle ways in his music. The book, Bob Dylan in America: the book by Sean Wilentz, contributing editor to the New Republic and Professor of History at Princeton. The book was published by Doubleday in 2010.
We return once more to a theme. In this episode of Deeper Roots, we visit the ‘salt mines’ where we toil for our daily bread or made to work off our sins. The old addage, attributed to Thomas Edison: “There is no substitute for hard work.” left out the other side of the coin…that of paydays on Friday and working for the weekend…which, of course, we’ll cover in great detail in a show whose theme is ‘work’. Tune in for roots music from Doc Watson and Flatt & Scruggs, both wicked and lovely R&B from Marva Whitney and Fats Domino, and rebellious rocking from Eddie Cochran and Bo Diddley.
He was from the Piedmont school of blues guitar but would find a wider audience and following through the work of Taj Mahal, Dave Van Ronk,Bob Dylan, Jorma Kaukonen, Dave Bromberg, and Ry Cooder. The majority of those named actually studied guitar with Davis but his own tutelage was under the legendary Willie Walker. He moved to New York in 1944, preaching and singing on the streets of Harlem, resuming his recording career in the 1960s when his appearances at Newport and other folk festivals brought a seemingly brief fame…but by all indications today, an enduring legacy. If you don’t have his classic album, Harlem Street Singer, produced by Rudy Van Gelder, in your collection…you might want to reconsider. We’ll explore a wide selection of pieces by Davis, by those who influenced him, and the many who were influenced by his music. We’ll also share excerpts of interviews and classic Gary Davis stories by others. It’s a very special two hours on Deeper Roots Radio: A Century of America’s Music with your host Dave Stroud.
We have yet another free form fest of roots music emanating from the bright sun of a Saturday along the Bohemian Highway, live from the KOWS studios in downtown Occidental, California. We both start and wrap up the show with Cliff “Ukulele Ike” Edwards, sharing country, blues, and new Americana in between. We’ll hear from Flaco Jimenez pair up with Dwight Yoakum, the essence of Randy Newman’s portrait of the South, western swing with Willie and Spade, and new music that fits our roots sensibilities from Steve Earle, Robert Earl Keen, Jr., and Jorma Kaukonen. Tune in for two hours of classic roots music.
Fat Tuesday or, translated to French, Mardi Gras, comes but once a year and signals the penitential season of Lent. It also provides us with an outlet for the many things that we do as part of our celebration. One of them involves the backdrop of music. We’ll visit the sounds introduced by the Second Line of “Sugar Boy” Crawford, Fats Domino, and Stop, Inc. We’ll follow with The Meters, Bo Dollis and The Wild Magnolias, Louis Armstrong, and many others in a show that separates our locales by almost 2000 miles. Join Dave Stroud for the big beat coming from the French Quarter, Bourbon Street, and the Mississippi waterfront in our newest episode, another produced exclusively for KWTF, 88.1 FM, member-supported community radio for Bodega Bay, Sonoma County, California.
