He was from the Piedmont school of blues guitar but would find a wider audience and following through the work of Taj Mahal, Dave Van Ronk,Bob Dylan, Jorma Kaukonen, Dave Bromberg, and Ry Cooder. The majority of those named actually studied guitar with Davis but his own tutelage was under the legendary Willie Walker. He moved to New York in 1944, preaching and singing on the streets of Harlem, resuming his recording career in the 1960s when his appearances at Newport and other folk festivals brought a seemingly brief fame…but by all indications today, an enduring legacy. If you don’t have his classic album, Harlem Street Singer, produced by Rudy Van Gelder, in your collection…you might want to reconsider. We’ll explore a wide selection of pieces by Davis, by those who influenced him, and the many who were influenced by his music. We’ll also share excerpts of interviews and classic Gary Davis stories by others. It’s a very special two hours on Deeper Roots Radio: A Century of America’s Music with your host Dave Stroud.
Category Archives: Country Blues
Deeper Roots on KOWS – February 28, 2015
We have yet another free form fest of roots music emanating from the bright sun of a Saturday along the Bohemian Highway, live from the KOWS studios in downtown Occidental, California. We both start and wrap up the show with Cliff “Ukulele Ike” Edwards, sharing country, blues, and new Americana in between. We’ll hear from Flaco Jimenez pair up with Dwight Yoakum, the essence of Randy Newman’s portrait of the South, western swing with Willie and Spade, and new music that fits our roots sensibilities from Steve Earle, Robert Earl Keen, Jr., and Jorma Kaukonen. Tune in for two hours of classic roots music.
Blind Willie McTell’s Blues
Blind Willie McTell was a gentleman songwriter and musician who could play and sing popular music and storied blues in the same voice. He could bring you into the story and emotion of a song while he picked in the Piedmont style and, with the supporting rhythm of Curley Weaver, painted a picture that could be visceral, or maybe light-hearted, sometimes stern in narrative, or whatever the mood or lyrics demanded. Bob Dylan’s own poetry about Willie is summed up in the verses of his song “Blind Willie McTell”, written in 1983 but not released by Dylan until 1991 on his “Bootleg Series 1-3”:
I can hear them tribes moaning
Hear the undertaker’s bell
Nobody can sing the blues
Like Blind Willie McTell
Join Dave Stroud for a new two hour episode highlighting the life, words, and music of Blind Willie McTell in this week’s episode of Deeper Roots: A Century of America’s Music, produced exclusively for KWTF 88.1 FM, community radio for Sonoma County.
The Paramount Label
Paramount Records was born in 1917 and in the mere fifteen years of their existence they would introduce some of the greatest names in the blues. Ma Rainey, Blind Lemon Jefferson, Charley Patton, Skip James, and Papa Charlie Jackson are but a few. In 2013, Jack White’s Third Man Records teamed up with Revenant Records to release the first of what would become one of the most ambitious attempts at documenting the story of a record company born from a furniture company that was driven to create product for the record cabinets they sold. Based on the book “The Rise and Fall of Paramount Records”, part two of the omnibus will be released later this year (or in early 2015).
This week on Deeper Roots, we share some of the story…and a lot of the music which was not necessarily limited to the blues but also some incredible gospel, mountain, and jazz recordings. When listening through what Dean Blackwell of Revenant Records calls the “gauze of static”, you’ll hear the music of the last century come alive. Tune in Friday night at 9 o’clock for a rare listen.
Deeper Thomas Dorsey
It’s another two hours celebrating the best of the last century of America’s music on Deeper Roots. In this week’s episode, Dave Stroud will be exploring the secular side of Thomas Dorsey, as Dorsey performed early century blues as Georgia Tom, and then more about Dorsey’s sacred side as the Reverend Thomas Dorsey in the mid-to-late century. As the Great Depression brought chaos to the lives of many, including the performers of the day, Dorsey finalized a lifelong transition from the secular to the sacred, although there is clear evidence that personal misfortune had its hand in the move. The evening’s playlist includes excerpts from Dorsey interviews, music by contemporaries and those who were influenced by his music, as well as pieces performed by Dorsey as Georgia Tom, featuring Tampa Red on guitar. Johnny Cash, Sister Rosetta Tharpe, Kansas City Kitty, Clara Ward, and Sweet Honey in The Rock are among the acts who we’ll hear in a show called “Deeper Thomas Dorsey”.
Mountain Roots Covers
Our show explores traditional pieces and versions that have been covered by contemporary artists. “Mama Don’t Allow”, “Soldier’s Joy”, “That Nasty Swing”, “Worried Mind”, and “Mary of the Wild Moor” are just a handful of the selections we’ll share in our show tonight. Some of the performers included in our set include Ivory Joe Hunter, Bascom Lamar Lunsford, The Dixon Brothers, and Byrd Moore. Join Dave Stroud tonight at 9 on KWTF as he shares the stories of the music, song stories, and performers from the last American century…it’s roots music that does matter.
The Bristol Sessions
Deeper Roots: A Century of America’s Music goes deeper…back 87 years to the summer of 1927 when Ralph Peer, a producer for the Victor Talking Machine Company visited the town of Bristol, Tennessee scouting for talent. He brought with him the equipment necessary to capture those first-take performances which would come to be known as The Bristol Sessions. From late July through early August artists such as The Carter Family, Jimmie Rodgers and the Stoneman Family made recordings in a makeshift studio inside downtown Bristol’s Taylor-Christian Hat Company. Johnny Cash once said that “These recordings…are the single most important event in the history of country music.”
Join Dave Stroud as Deeper Roots goes beyond the more notable names from these recordings and, with a certain leaning to the country sounds, he will also reveal the gospel and folk tradition that came out of these and the later Johnson City Sessions. We’ll hear from The Johnson Brothers, The Stamps Quartet, Alfred Karnes, Uncle Eck Dunford, and a host of others.
Hokum Blues
Deeper Roots explores a minor genre in this episode; coming from early 19th century minstrel shows and adapted with bawdy humor, double entendre, and biting sarcasm. A little bit blues, a little bit country, and always in your face, they call it “hokum”. The English dictionary defines the term as ‘nonsense’ or ‘trite, sentimental, and unrealistic’ but as a musical genre, it goes well beyond those simple definitions. As noted in Wikipedia, “Although the sexual content of hokum is generally playful by modern standards, early recordings were marginalized for both sexual “suggestiveness” and “trashy” appeal, but still flourished in niche markets outside the mainstream. Our show will take a journey through early to mid-century examples featuring numerous pieces by Tampa Red, Papa Charlie Jackson, Memphis Minnie, and Georgia Tom as well as some later fifties R&B examples that drew from the hokum well including The Dominoes, Julia Lee, and Bullmoose Jackson. Join Dave Stroud for a fun mix of musical nonsense that is anything but trite or sentimental.
Blues Blues Blues
Blues is the sound we share with you in this episode of Deeper Roots and we’ve got two solid hours of sounds from the Mississippi Delta, Chicago, and the clubs, juke joints, and barrooms found at points in between. Based on a fine blog post by the great American roots music author Peter Guralnick that you can find here, we follow what we found to the letter and note. You’ll hear the sounds of Howlin’ Wolf, Buddy Guy, Otis Rush, Otis Spann, and Robert Nighthawk in a playlist the Guralnick handed to his son as a reverent introduction to the music that’s inspired his writing and passion for American roots music.
The 99 Percent Blues
On Deeper Roots …”The 99 Percent Blues”, featuring music reflecting on the Great Depression, The Dust Bowl, and the recent financial crisis…songs and stories of the working class. We take a trip back to the twenties and share with you the sounds of Vernon Delhart, Joe Stone, Harry McClintock, and others…and we’ll share the more contemporary songs of Ry Cooder, Randy Newman, and Uncle Tupelo.