It’s all about the roots of rockin’ and rollin’….including those songs that lyrically broached the subject as early as the 1920s. We follow the thread into the 1930s and 40s where a wellspring of American music, both traditional as well as experimental, inspired the sounds that would fuse into the sound that we know of as rock ‘n roll. Tonight at 9, Deeper Roots take a trip down a very wide path in an episode called “Early Rocking”…venturing into early blues, country swing, jazz, and R&B. We’ll hear from Blind Blake, Jack McVea, Stick McGhee, Hardrock Gunter, Les Paul, and others that may raise an eyebrow or two. Muddy Waters once stated that “The blues had a baby and they called it rock ‘n roll…” but there is so much more to it than just the blues…and we’ll find out what.
“The Devil Ain’t Lazy” is a song by Bob Wills and His Texas Playboys and it is also the title of this week’s Deeper Roots show. In our weekly ramble through the last century of America’s music this Friday night at 9, we explore how that malevolent spirit known as the devil has been a foil and muse in song. We start it off with the Almanac Singers and the Irving Berlin piece from pre-war, “Get Thee Behind Me Satan”, move into a 1928 musical sermon called “Warming By the Devil’s Fire”, and find ourselves in country bible land with the Louvins, Hank Williams, and Marty Stuart. In between we’ve got lots of jazz, gospel, blues, and some modern revelations about our culture’s call and response with Lucifer himself.
This episode of Deeper Roots explores music celebrating the “Father of The Waters”, “The Big Muddy”…”The Mighty Mississippi”. Between its head, Lake Itasca in Minnesota, to the point where it empties into the Gulf of Mexico, the Mississippi is responsible for the watershed of 31 states, although its banks only border on 10 of them. Over the centuries, it’s been an inspiration in traditional song and story. Join us as we are entertained by the likes of J. J. Cale, The Mississippi Sheiks, Bessie Smith, Dr. John, and a host of others in a show about a natural wonder that is part of our national identity.
Nearly fifty years ago one song entered three different charts: Country, R&B, and Pop at the same time, unprecedented for the time. It was a year where the airwaves were filled with Dean Martin, Perry Como, Marty Robbins, The Platters, and the first hints of what was to be the infusion of R&B into popular music. Deeper Roots will take a peek at the year 1956 with an exploration of Elvis’ release of Hound Dog.
Dale Geist, singer-songwriter and passionate student of rock history, joins Dave Stroud in a special two-hour show that explores the impact of songwriters Jerry Leiber and Mike Stoller, blues and rhythm rockers Rufus Thomas, Big Mama Thornton, and Roy Brown, as well as the music of The Coasters, The Robins, Big Joe Turner, and The Drifters.
Deeper Roots visits the sounds of The Band. From their early bar band roots, traveling the Northeast with Ronnie Hawkins, their introduction to a wider audience from Woodstock and the Music from Big Pink from upstate New York, and their individual accomplishments after the group “disbanded”…it’s all part of the journey. We’ll explore the depths of their music so firmly rooted in American lore…nd coming from Canada, no less. Join Dave Stroud for two hours of music from the late 20th century, on a show produced especially for member-supported community radio for Bodega Bay, Sonoma County, California.
You’ve heard his music and his story is bigger than life. Jerome Felder was raised in Brooklyn to a middle class Jewish family and contracted polio at a very young age. But he also contracted a taste for the blues as an adolescent and did more than make his mark on the American musical fabric of the mid-to-late century. He adopted the stage name of Doc Pomus and, along with Lieber, Stoller, King, and a few others defined the lyric and tone of a generation. Deeper Roots explores the music of Doc Pomus this Friday night at 9 on KWTF. We’ll hear Big Joe Turner’s Piney Brown Blues, a song that inspired him as well as a couple of pieces that he would eventually write for Joe when he was recording in the Atlantic stable. We’ll share the stories and music, including performances by Doc himself, The Coasters, Elvis, Dr. John, and Ray Charles.
Our theme in this week’s episode of Deeper Roots…American Songwriters. Deeper Roots explores selections from some of the great American songwriters and a variety of interpretations by a host of performers. We’ll hear the music of Stephen Foster, Willie Nelson, Thomas Dorsey, and Johnny Cash from the likes of Bob Dylan, Jimmy Lunceford, and Sweet Honey In the Rock. Of course, two hours will only scratch the surface…
Sam Phillips launched his Memphis record company in February of 1952 naming it Sun Records as a sign of his perpetual optimism: a new day, and a new beginning. Phillips rented a small space at 706 Union Avenue for his own all-purpose studio. The label was launched amid a growing number of independent labels. In a short, while Sun gained a reputation throughout Memphis as a label that treated local artists with respect and honesty. Sam provided a non-critical, spontaneous environment that invited creativity and vision.
His promotional line was “We record anything, anywhere, anytime”… and so we explore the music that Sam Phillips shared with the world out of his Memphis recording studio. The sounds of blues, gospel, and rockabilly fused into a distinct sound and included the likes of Howlin’ Wolf, Carl Perkins, Rufus Thomas, Little Junior’s Blue Flames, as well as, you know, *that* guy…Elvis. Join Dave Stroud for two hours of ‘fun in the Sun’ … with the music and back stories on Deeper Roots: A Century of America’s Music.
We venture a bit deeper…into the well of Pre-Depression music. The Jazz Age had settled in and the broad and diverse sounds of jazz out of the big cities, popular tunes from Broadway, blues from the south, and folk music of the mountains, had begun to reach areas of the country that had no clubs or venues, only a couple of new technologies: radio and Victrola phonographs. These new machines would become household staples and create an industry almost overnight revealing themselves as a mainstream means of cultural dissemination. This was, of course, before some of the lesser-known artists, once sought out by recording studios, would be dropped as the Great Depression would find their funding dry up almost overnight.
We’ll hear the sounds of Al Jolson alongside those of Louis Armstrong, Tampa Red, Mississippi John Hurt, and Barbecue Bob as Dave Stroud hosts a new episode, “Pre-Depression Music”, on Deeper Roots: A Century of America’s music.
“I had heard all the symphonies there were and all the chamber music and the best jazz and I said ‘this is the greatest music’”… Alan Lomax
