This episode of Deeper Roots will feature Big Band Standards done by others as well as by the greats of the genre. Swing and sway with the sounds of “At the Woodchopper’s Ball”, “Take the A Train”, “Little Brown Jug”, “One O’Clock Jump”, and a number of others. The performers cross the divide…Bob Wills, Nina Simone, The Mills Brothers, Benny Goodman, George Harrison, Merrill Moore, and others. The big band sound had an energy and personality that was made for the urban clubs, but it would also make itself known as more than just a pop or jazz phenomenon…it became the music of a generation that found a broader audience at barn dances, Elks’ Halls, theaters, and the larger venues of the present day. It’s roots music with a swinging groove and drive.
Join Dave Stroud for the music of Louis Armstrong, from the early King Oliver days to popular tunes of the late century. Probably the most important musician to come out of the 20th century, he took the blues and established it as jazz’s harmonic foundation, well beyond the ‘fashionable’ jazz of the day. He introduced a style of singing called ‘scat’ that was to be mimicked by others including Ella Fitzgerald, Billie Holiday, and Bing Crosby. He created masterworks based on Tin Pan Alley songs that went beyond his original New Orleans influences, showing that jazz could expand musically and commercially. And there is little doubt that he introduced the form we know as ‘swing’ today.
With the rise of be-bop and modern jazz, some of the newcomers (Dizzy Gillespie being the most vocal) pushed Louis aside with a new sound in jazz and words that were youthful miscalculations at the least if not disrespectful altogether. But it was time that would prove Louis’ music and his stature in the history of the American musical art form that remains abiding and durable. Those newcomers would recant and recognize the true mark of genius.
We’ll feature two hours exploring the career of Louis Armstrong in both music and in his own words.
Deeper Roots digs into the early sounds of rock in another episode that explores the songwriters…this time focusing on the talents of the team of Jerry Leiber and Mike Stoller, During the first decade of a rock ‘n roll, they brought the R&B music they loved to the pop mainstream, producing a catalog of enduring, influential, and spirited musical pieces. The two grew up on the East Coast, Leiber in Baltimore and Stoller in Queens, but met in Los Angeles in 1950 where they began a sixty year collaboration, Leiber serving as the sharp-witted lyricist, while the classically trained but jazz-and R&B-loving Stoller wrote the music. Join Dave Stroud in a show first broadcast on KWTF in 2014 as he’ll share the duo’s songwriting talents featuring the music of LaVern Baker, Big Mama Thornton, Bull Moose Jackson, Brian Setzer, and many, many others.
Let’s go deeper into the past century, celebrating an icon of American music from the 19th century. Stephen Foster composed almost two hundred songs, a half dozen ranking with the world’s greatest ballads; at least 25 of them have become American folk songs. He achieved a truly American expression in his music. Although born and bred in Pittsburgh, he was not influenced by the European music that enslaved composers who lived on the more cosmopolitan seaboard cities of the day. His influences were instead the touchstones of the heart…home and the comfort of friends. His lyrics were a reflection of the time but never cruel in the context of the time, keeping his focus on relationships and the good in everyone.
Our show will feature music of the McGarrigle Sisters, Bill Frisell, Sam Cooke, The Light Crust Doughboys, and an extended selection of Stephen Foster classics performed by The Sons of The Pioneers.
Take a trip with Deeper Roots as we visit a Saturday Night Fish Fry featuring Eddie Williams and His Brown Buddies, Cab Calloway’s “Everybody Eats When They Come To My House”, Duke Ellington’s tribute to the “Saturday Night Function”, and songs of house rent parties, Saturday evenings, and Fats Waller will tell us about “Functionizing”. It has always been about blowing off steam after a long week…and swinging, rocking, and having a ball.
Deeper Roots looks at one of the many precursors to rockabilly and rock ‘n roll. Hillbilly boogie is a term used to describe an early pop music fad that blended early 20th century boogie woogie piano style, popular black music of the time, and western swing. Now many will say that it started with Arthur “Guitar Boogie” Smith but we’ll hear the swing and boogie woogie sounds that predated Smith. And the word was “boogie”. Boogie Woogie Baby, New Broom Boogie, Birthday Cake Boogie, Cherokee Boogie…well, you get the idea. We’ve got all of those and more with performances from Tex Williams, Hank Penny, Johnny Bond, Rose Maddox, and many more. Join Dave Stroud for another journey through a century of America’s music here on listener-supported community radio for Bodega Bay!
It’s all about the roots of rockin’ and rollin’….including those songs that lyrically broached the subject as early as the 1920s. We follow the thread into the 1930s and 40s where a wellspring of American music, both traditional as well as experimental, inspired the sounds that would fuse into the sound that we know of as rock ‘n roll. Tonight at 9, Deeper Roots take a trip down a very wide path in an episode called “Early Rocking”…venturing into early blues, country swing, jazz, and R&B. We’ll hear from Blind Blake, Jack McVea, Stick McGhee, Hardrock Gunter, Les Paul, and others that may raise an eyebrow or two. Muddy Waters once stated that “The blues had a baby and they called it rock ‘n roll…” but there is so much more to it than just the blues…and we’ll find out what.
“The Devil Ain’t Lazy” is a song by Bob Wills and His Texas Playboys and it is also the title of this week’s Deeper Roots show. In our weekly ramble through the last century of America’s music this Friday night at 9, we explore how that malevolent spirit known as the devil has been a foil and muse in song. We start it off with the Almanac Singers and the Irving Berlin piece from pre-war, “Get Thee Behind Me Satan”, move into a 1928 musical sermon called “Warming By the Devil’s Fire”, and find ourselves in country bible land with the Louvins, Hank Williams, and Marty Stuart. In between we’ve got lots of jazz, gospel, blues, and some modern revelations about our culture’s call and response with Lucifer himself.
This episode of Deeper Roots explores music celebrating the “Father of The Waters”, “The Big Muddy”…”The Mighty Mississippi”. Between its head, Lake Itasca in Minnesota, to the point where it empties into the Gulf of Mexico, the Mississippi is responsible for the watershed of 31 states, although its banks only border on 10 of them. Over the centuries, it’s been an inspiration in traditional song and story. Join us as we are entertained by the likes of J. J. Cale, The Mississippi Sheiks, Bessie Smith, Dr. John, and a host of others in a show about a natural wonder that is part of our national identity.
Nearly fifty years ago one song entered three different charts: Country, R&B, and Pop at the same time, unprecedented for the time. It was a year where the airwaves were filled with Dean Martin, Perry Como, Marty Robbins, The Platters, and the first hints of what was to be the infusion of R&B into popular music. Deeper Roots will take a peek at the year 1956 with an exploration of Elvis’ release of Hound Dog.
Dale Geist, singer-songwriter and passionate student of rock history, joins Dave Stroud in a special two-hour show that explores the impact of songwriters Jerry Leiber and Mike Stoller, blues and rhythm rockers Rufus Thomas, Big Mama Thornton, and Roy Brown, as well as the music of The Coasters, The Robins, Big Joe Turner, and The Drifters.
