Our show is Songs of The Civil War. Deeper Roots plays a selection of music that explores the passions, purpose, and politics that led to the war. Join Dave Stroud as he shares the music of the battlefield, the hymns from homes, and the traditional music that soldiers from both sides would adopt to pass the time, to bond, and to help ease the fear of an unknown fate in their longing for home and family. We’ll hear a number of contemporary performers including the Carolina Chocolate Drops, David Wilkie, John Doe, and David Grisman as well as those long past like John Hurt, The Carter Family, and Paul Robeson. Be sure to tune in.
Monthly Archives: November 2014
Deeper Jimmie Rodgers
Deeper Roots explores the influences, the music, and those who themselves were influenced by the yodeling brakeman. His music was influenced deeply by the blues of Bessie Smith, Ma Rainey, Willie Jackson, and Blind Lemon Jefferson. And the performers he influenced read more like the comprehensive list of jazz, blues, country, and pop greats….to this day. It is sure to entertain with the music of Rodgers, Bob Dylan, Lefty Frizzell, and Merle Haggard.
Blue Light Christmas Special
Deeper Roots celebrates its first holiday special this weekend spending two hours celebrating a wild yuletide journey filled with blues, jazz, gospel, R&B, and a bit of country. It’s our Blue Light Christmas Special! This year marks the release of a third volume of excavated Christmas recordings by Document Records out of the UK. These are the folks that have brought us the Blues Odyssey series by Bill Wyman and, most recently, they’ve teamed up with Third Man Records for an incredible set of re-mastered Charley Patton and Mississippi Sheiks vinyl releases. We’ll play a number of cuts from their most recent Christmas release, “Blues Blues Christmas” as well as tracks from the first two volumes. The show features performers like Kansas City Kitty, Titus Turner, Bumble Bee Slim, and Smokey Hogg…as well as a blend of country pieces from Merle Haggard, Nick Lowe, and Jimmy Martin. Keep in mind that our Deeper Roots podcasts are always available later in the weekend on deeperroots.podomatic.com for any of you who can’t make the party!
Sixties Folk Revival
We’re going to revisit the folk music scene of the sixties. It’s been over a year since we visited the coffeehouses and shops of Greenwich Village, Washington Square, and the festivals that largely celebrated sounds that echoed from a long-ago past. A new generation of songwriters and performers surfaced that would have as much an influence on America’s music as those they were inspired by. We’ll hear from performers who remained under the radar: Bob Gibson, Fred Gerlach, and Fred Neil…and those who found a larger share of fame including Bob Dylan, Peter Paul & Mary, and The Kingston Trio…with those ‘in the middle’ making up the bulk of what we’ll be share with you.
Swinging Country
This week’s Deeper Roots show revisits country swing. Join Dave Stroud tonight at 9 for the sounds of Tex Williams, The Sons of the West, Spade Cooley, Hank Penney, and a host of others whose sounds attracted huge crowds to the dance halls and clubs in Texas, Oklahoma, and California during the thirties and forties. With its basis in jazz and ‘gypsy jazz’, its sound is an upbeat amalgamation of rural, cowboy, polka, folk, blues, and Dixieland jazz, all played by the hot string bands who gave it a distinctive sound with amplified steel guitars, stand-up bass, fiddle, as well as an occasional accordion or brass accompaniment. It’s still alive today…you just need to look.
Songs Of Doc Pomus
You’ve heard his music and his story is bigger than life. Jerome Felder was raised in Brooklyn to a middle class Jewish family and contracted polio at a very young age. But he also contracted a taste for the blues as an adolescent and did more than make his mark on the American musical fabric of the mid-to-late century. He adopted the stage name of Doc Pomus and, along with Lieber, Stoller, King, and a few others defined the lyric and tone of a generation. Deeper Roots explores the music of Doc Pomus this Friday night at 9 on KWTF. We’ll hear Big Joe Turner’s Piney Brown Blues, a song that inspired him as well as a couple of pieces that he would eventually write for Joe when he was recording in the Atlantic stable. We’ll share the stories and music, including performances by Doc himself, The Coasters, Elvis, Dr. John, and Ray Charles.
Country Guitar Greats
Deeper Roots: A Century of America’s Music shares the music from a selection of the great 20th century country guitar masters…those Nashville Cats in our latest episode.
The electric guitar has been around in some form since the late 1920’s. In fact, an early group named The Vagabonds experimented with guitar amplification on the Grand Ole Opry in the early days of the show. But the first real amplified guitars were steel guitars. In 1936, Gibson introduced their ES-150 electric guitars and while most southeastern country musicians rejected them, Western swing bands coming out of the Southwest were quick to adopt and the sound became a standard. The sounds of the steel guitar went well beyond swing since the lap and pedal steel guitars both became associated with the development of the country and Western swing genres.
In tonight’s show, we’ve got a mix of session men and solid guitar impresarios to share with you. We’ll hear from The Delmore Brothers, Bob Wills and Leon McAuliffe, Merle Travis, Buddy Emmons, and the great Hank Garland…”setting the woods on fire” as the saying goes.
Musical Vices
This episode has us belly up to the bar, exploring music that’s all about bad habits and those elements that are not very good for health and harmony…and the performers make that very clear. We’ll hear “It Ain’t Far To the Bar”, “Caffeine and Nicotine”, “Wacky Dust”, and a host of other songs that tell the story of misbehavior, anti-sobriety, barrooms, and dens of iniquity. We’ll hear happy, we’ll hear sad, and we’ll hear all those emotions in between…all from performers like Merle Haggard, Victoria Spivey, Johnny Tyler & His Riders of the Rio Grande…and so many others.
Deeper Tennessee Strings
The story and tradition of the music of the Appalachians can be traced back to Scottish and English ancestral roots. The book “Tennessee Strings” by Charles Wolfe does a good job of finding the path from traditional ballads such as Barbara Allen and those of Lorena during the Civil War into the present day. It also traces a clear path from the early 20th century performers like Fiddlin’ John Carson to the sounds of Uncle Dave Macon and the early years of the Grand Ole Opry.
In this episode of Deeper Roots, we acknowledge the contributions of Tennessee to the country Americana art form, that drew both from sources in the white rural music of East and Middle Tennessee as well as from the church music of the singing congregations and the blues and jazz emanating from urban Memphis. With the commercialization of this musical fusion through radio and recordings, Tennessee soon became a national center for country music.
Featured performers include G. B. Grayson, Al Hopkins and His Buckle Busters, Uncle Dave Macon, and a couple of sets that feature the songs about Tennessee. We’ll hear about Nashville before it became the center of commercialism that it is today, the 1927 Bristol Sessions, and the Grand Ole Opry when it only resembled a dance hall social with WSM radio microphones held in an insurance building’s gathering hall. We’ll also hear a number of pieces celebrating the state of Tennessee.
Black Pearls
Our theme in this week’s episode of Deeper Roots: Black Pearls, a story of the Blues Queens of the Twenties. We’ll hear the music that, throughout the 1920s, could be heard in the tents, theaters, dance halls and cabarets, and on “race” records where Black American women captivated large audiences with their singing of the blues, many paying the toll for their right to be heard, transforming a folk tradition into a popular art.
Based on research from the book of the same name by Daphne Duval Harrison, we’ll hear Trixie Smith, Alberta Hunter, Ida Cox, Victoria Spivey, Sippie Wallace, and of course, Bessie Smith as they perform music that tell their story: gutsy, yet tender, exploited, but not resentful, independent, yet vulnerable. They introduced a new model of the black woman for the times and their work profoundly affected the American popular music art form.