Deeper Roots explores a minor genre in this episode; coming from early 19th century minstrel shows and adapted with bawdy humor, double entendre, and biting sarcasm. A little bit blues, a little bit country, and always in your face, they call it “hokum”. The English dictionary defines the term as ‘nonsense’ or ‘trite, sentimental, and unrealistic’ but as a musical genre, it goes well beyond those simple definitions. As noted in Wikipedia, “Although the sexual content of hokum is generally playful by modern standards, early recordings were marginalized for both sexual “suggestiveness” and “trashy” appeal, but still flourished in niche markets outside the mainstream. Our show will take a journey through early to mid-century examples featuring numerous pieces by Tampa Red, Papa Charlie Jackson, Memphis Minnie, and Georgia Tom as well as some later fifties R&B examples that drew from the hokum well including The Dominoes, Julia Lee, and Bullmoose Jackson. Join Dave Stroud for a fun mix of musical nonsense that is anything but trite or sentimental.
Monthly Archives: November 2014
Deeper Bill Monroe
Bluegrass music owes more than a debt to Bill Monroe. It owes a name, a legacy, and a following to a man whose songwriting and musical prowess went well beyond the genre that bears his brand. Inspired by the early mountain music that his uncle, Pendleton Vandiver, would introduce him to, Bill developed a keen eye for talent and expected only the best from his band (although his lack of business acumen would trip him up time and again). That keen eye paired with an ear for stellar musicianship would show in the performers he ‘discovered’ and who rank among the greatest of the genre: Mac Wiseman, Earl Scruggs, Lester Flatt, Peter Rowan, Kenny Baker, Del McCoury, and many others. Please join us for sets that explore Bill Monroe’s legacy. The sets include
- The traditional music of Uncle Pen
- The talent of Monroe’s sidemen
- The early classic sound of “The Monroe Brothers”
- Classic covers of Bill Monroe’s music done by late century artists
- Two sets of some of the greatest of Bill Monroe and His Blue Grass Boys
That Gospel Sound
We’re going to revisit the theme of gospel music in this episode of Deeper Roots, specifically those sounds of the many different groups that set the stage for a time known as The Golden Age of Gospel. The first half of our show will focus on those performers, performances, and sacred pieces that influenced post-war black America and we’ll follow with a modest selection from the Golden Age that, interestingly enough, seems to parallel that of the Golden Age of Country Music…those two decades covering 1945 to 1965.
We’ll wade into the Baptist and Pentacostal waters that would influence the secular sounds of popular R&B, soul, and rock ‘n roll by shaking the sacred out of the rafters and into the American airwaves of the later years…and make no mistake, the influence of the gospel groups that followed from the 19th century and into the 20th cannot be understated. We’ll hear from the Jubilee Quartets of course, including the Selah Jubilee Singers, the Golden Gates, the Dixie Jubilee Singers…and we’ll also hear some fine contemporary pieces from the Blind Boys of Alabama. You won’t want to miss out.
Country Roads
The Golden Age of Country. That’s our theme. Join Dave Stroud, host of Deeper Roots, as he takes you through the sound of popular Country music of the 1950s and early 1960s, a time often referred to as “Classic Country”. It was one of the bridges to popular country today, hardly recognizable now from the sounds that were to one day compete with a new form of popular music known as rock ‘n roll. But this classic country sound was itself a sound that was hard to connect to the 1920s hillbilly and Appalachian sounds from which it had evolved. Its sound was an amalgam of 1940s country swing, middle-of-the road pop music, and elements of almost every form of American music. It was a more familiar , safe, and palatable place on the radio dial for those middle American values of the time. We’ll hear the classic sounds of Lefty Frizzell, “Little” Jimmy Dickens, Hank Snow, Kitty Wells, and many others in this episode of Deeper Roots: A Century of America’s Music
Blues Blues Blues
Blues is the sound we share with you in this episode of Deeper Roots and we’ve got two solid hours of sounds from the Mississippi Delta, Chicago, and the clubs, juke joints, and barrooms found at points in between. Based on a fine blog post by the great American roots music author Peter Guralnick that you can find here, we follow what we found to the letter and note. You’ll hear the sounds of Howlin’ Wolf, Buddy Guy, Otis Rush, Otis Spann, and Robert Nighthawk in a playlist the Guralnick handed to his son as a reverent introduction to the music that’s inspired his writing and passion for American roots music.
The 99 Percent Blues
On Deeper Roots …”The 99 Percent Blues”, featuring music reflecting on the Great Depression, The Dust Bowl, and the recent financial crisis…songs and stories of the working class. We take a trip back to the twenties and share with you the sounds of Vernon Delhart, Joe Stone, Harry McClintock, and others…and we’ll share the more contemporary songs of Ry Cooder, Randy Newman, and Uncle Tupelo.
Saturday Night Fish Fry
Take a trip with Deeper Roots as we visit a Saturday Night Fish Fry featuring Eddie Williams and His Brown Buddies, Cab Calloway’s “Everybody Eats When They Come To My House”, Duke Ellington’s tribute to the “Saturday Night Function”, and songs of house rent parties, Saturday evenings, and Fats Waller will tell us about “Functionizing”. It has always been about blowing off steam after a long week…and swinging, rocking, and having a ball.
Hillbilly Boogie
Deeper Roots looks at one of the many precursors to rockabilly and rock ‘n roll. Hillbilly boogie is a term used to describe an early pop music fad that blended early 20th century boogie woogie piano style, popular black music of the time, and western swing. Now many will say that it started with Arthur “Guitar Boogie” Smith but we’ll hear the swing and boogie woogie sounds that predated Smith. And the word was “boogie”. Boogie Woogie Baby, New Broom Boogie, Birthday Cake Boogie, Cherokee Boogie…well, you get the idea. We’ve got all of those and more with performances from Tex Williams, Hank Penny, Johnny Bond, Rose Maddox, and many more. Join Dave Stroud for another journey through a century of America’s music here on listener-supported community radio for Bodega Bay!
Mississippi Delta Blues
Blues from the Mississippi Delta highlights this episode of Deeper Roots: A Century of America’s Music. The sounds are as deep and wide as the river and area of the south that gave it its name. The traditional music of all of the sounds that passed through, from the Civil War, to the music from the hills, the barrooms, brothels, and front porches are blended into a raw and sinuous sound that moved north with its performers, landing in the urban stages of the north. Chicago, New York, St. Louis, and Detroit…all born in the Mississippi Delta. We’ll start with Charley Patton, Garfield Akins, and Robert Johnson and work our way forward to Johnny Shines, Robert Lockwood Jr., and Honeyboy Edwards.
Early Rockin’
It’s all about the roots of rockin’ and rollin’….including those songs that lyrically broached the subject as early as the 1920s. We follow the thread into the 1930s and 40s where a wellspring of American music, both traditional as well as experimental, inspired the sounds that would fuse into the sound that we know of as rock ‘n roll. Tonight at 9, Deeper Roots take a trip down a very wide path in an episode called “Early Rocking”…venturing into early blues, country swing, jazz, and R&B. We’ll hear from Blind Blake, Jack McVea, Stick McGhee, Hardrock Gunter, Les Paul, and others that may raise an eyebrow or two. Muddy Waters once stated that “The blues had a baby and they called it rock ‘n roll…” but there is so much more to it than just the blues…and we’ll find out what.