We follow up to a previous episode and get back to the music of the Cotton Club, the jewel that grew out of the Harlem Renaissance. While it featured the top shelf acts of Harlem, it was also the typical whites-only club where African-Americans could perform but not attend. Despite these Jim Crow policies, what the Cotton Club brought us was a legendary lineup of performers and performances that rivals none in the history of jazz. Our show features the music of Fletcher Henderson, Cab Calloway and his sister Blanche, Duke Ellington, Jimmie Lunceford and others whose careers were launched there.
We’ve got ‘songs of the sauce’, so to speak. Our show will feature a century of America’s music with stories of moonshine, rye whiskey, bubbles in the beer, bartenders, and hangovers going as far back as 1928. But we’ve also got a Bob Wills tribute piece from a new Asleep at the Wheel release, indie rockabilly from new Austinians Tammy Lynn & Myles High, R&B truckers The Harlem Hamfats, and local favorite David Luning. Join Dave Stroud for another two hours of a century of America’s Music on KWTF, member-supported community radio for Bodega Bay and all of Sonoma County.
“A Dime Looks Like a Wagon Wheel”….a phrase that was used to indicate how fortunate you felt when just a little seemed so big when you had so little to start with. Old timey music, some sweet R&B from Sam Cooke, country styles from Johnny Cash and Hank Thompson, folk and blues from Dave Van Ronk, Woody Guthrie, and Peter Rowan….and newer sounds from The Far West, Steep Canyon Rangers, and Howell Devine. Two hours of Deeper Roots looks like that same wagon wheel…it goes by fast and we’ll have the very best of American roots music from the past century Saturday morning at 9am on KOWS.
No.
1
Artist
Title
Album
Buy
2
Hardrock Gunter
Boogie Woogie On A Saturday Night
Boogie Man Boogie
3
Rosanne Cash
Big River
Right or Wrong
4
Johnny Cash
Big River
Get Rhythm [Sun]
5
Bill Monroe
Big River
Bluegrass 1959-1969 [Disc 1]
6
The Nashville Bluegrass Band
The Johnson Boys
American Beauty
7
Don Reno/Red Smiley
A Dime Looks Loke a Wagon Wheel
Together Again
8
Steep Canyon Rangers
Good Old Country Baptizing
Mr. Taylor's New Home
9
Bobby Hicks & Del McCoury
We're Steppin' Out Tonight
Bluegrass Number 1's: A Collection of Chart-Topping Songs
10
Willie Nelson
Texas on a Saturday Night
Revolutions of Time: The Journey 1975-1993 Disc 2
11
Red Foley
Tennessee Saturday Night
Hillbilly Fever [Disc 2]
12
Ella Mae Morse
Tennessee Saturday Night
The Morse Code [Disc 2]
13
Frank Sinatra
Saturday Night (Is The Loneliest Night In The Week)
Swing And Dance With Frank Sinatra
14
Sam Cooke
Another Saturday Night
Portrait Of A Legend 1951-1964
15
Junior Brown
Long Walk Back to San Antone
Long Walk Back
16
The Green River Boys feat. Glen Campbell
Poor Boy Looking for a Home
James Burton – The Early Years 1957-1969
17
Hank Thompson & His Brazos Valley Boys
New Green Light, The
Vintage Collections
18
Roy Rogers
I Can't Go on This Way
1942-1947 (Warped 4561)
19
The Far West
Maricopa City Lights
The Far West
20
Bo Diddley
I'm Looking For A Woman
His Best: The Chess 50th Anniversary Collection
21
Markus James
Diddley Bow and Buckets
Head For The Hills
22
Howell Devine
Devil Got My Woman
Delta Grooves
23
Skip James
Devil Got My Woman
Ghost World
24
Rory Block
Devil Got My Man
Gone Woman Blues: The Country Blues Collection
25
Bonnie Raitt
Danger Heartbreak Dead Ahead
Bonnie Raitt
26
Peter Rowan
Dust Bowl Children
Dust Bowl Children
27
Woody Guthrie
Blowing Down That Old Dusty Road (Going Down the Road Feelin' Bad)
We’ve got a show jam-packed with gospel sounds set against a backdrop of fiery fields, unclouded days, and great speckled birds. Join us on our regular two hour Friday night show on KWTF as we take a trip down the country gospel highway, celebrating a style of music that was mostly inspired by the memories of ‘back home’ and the church, where a lot of our performers were first introduced to music. We’ll share that old time religion in spiritual and song from deep in the heartland. We open with some of the classic old time gospel sounds of The Carter Family and J. E. Mainer’s Mountaineer then go flying down heaven’s railway on the Gospel Cannonball while Johnny Cash, The Louvin Brothers, T. Texas Tyler, Hank Williams, and Kitty Wells will be preaching on that old country gospel stage alongside bluegrass gospel favorites from mid-century.And we’ll also hear a couple of new tracks from Marty Stuart and His Fabulous Superlatives.
Second Saturday on KOWS…that means a vintage blend of Deeper Roots. Our show opens with some contemporary bluegrass and gets right down to business with some country gospel and blues with an opening admonition from Sister Aimee Semple McPherson punctuated with songs of drinking and old time religion. From there we move on to the jazz sounds of Fats Waller and a run of mid-to-late century country featuring Patsy Cline, Willie Nelson, and the sass of Johnny Cash and June Carter Cash. It’s another beautiful spring morning in the small West Sonoma County hamlet of Occidental…nestled in the woods along the Bohemian Highway and celebrated from the studios of KOWS Community Radio.
From the French Quarter back to Congo Square…this episode celebrates a mix of sounds all thrown into a stew that’s been simmering and feeding the soul of the gulf for hundreds of years. Acadian songs, the word Acadian is derived from the French Canadian, were long ballads originating in France and they generally spoke of hard living. Mix that with the Native American and Scots-Irish jigs and reels, and lay it all out in Lousiana where even more influence could be absorbed from the Carribean/Cuban/Haitian populace and there you have it. We’ll share the early century ‘ancestral’ sounds of Blind Uncle Gaspard and Leo Soileau as well as the music of Queen Ida and Beau Jocque. It promises to be uplifting, wild, and your foot will be tapping…
It’s theme time once again on Deeper Roots. We’ve got songs that explore the topic of jails, prisons, work farms, and the incarcerated. There we find the overnighters, the vagabonds, the jealous lovers, the desperate thieves, and the stories of ladies and gentlemen on both sides of the bars. There will be old-timey cowboy classics from Vernon Dalhart and Carl T. Sprague, modern covers by David Johansen and The Byrds, blues from Lightnin’ Hopkins and Blind Boy Fuller, and a whole lot more. Join us for the stories of the songs and performers this week on Deeper Roots.
It’s our regular (well, even Saturday mornings) show featuring an early country and bluegrass set featuring new sounds from Steve Earle and Robert Earl Keen, Jr. alongside the classic sounds of Buck Owens, Leon Chappell and The Louvins. We’ve got gospel and blues as well as a rare set of sounds from the second omnibus of “The Rise and Fall of Paramount Records”, classic late twenties country and blues. Stay tuned for your morning dose of brew d’Roots and American Roots Breakfast Tea on a spring Saturday morning in West Sonoma County.
Just ahead of World War II, a sound began to bubble up through the floorboards. There was the new, brash, swinging sound of big bands, country swing had surfaced, and jazz was alive and well as an evident inspiration to both. But there was a raw, bluesy, expressive, jump sound coming from the barrooms and halls of the urban expanses of Chicago, Kansas City, New York City, and beyond; something that would become known as R&B and would later be the bedrock of rock and roll. Deeper Roots explores the sounds of Big Joe Turner, Wynonie Harris, Buddy Johnson and a host of others, including the ladies: Effie Smith, Nellie Lutcher, Julia Lee, and Viola Wells. This episode has them all and more…
While Bob Dylan’s greatest early influence was likely Woody Guthrie he spent his career exhibiting both love and thievery of the Americana music canon. Love, in the sense that he would pay tribute and admire the story-telling, and theft, in that he would copy old lines for his own purposes or reassemble them into a larger story. His not-so-obvious album release titled “Love and Theft” hints at his own sardonic wit in the matter.
Pablo Picasso has been quoted thusly: “Good artists borrow, great artists steal.” It’s a concept that goes back much further. The works of T.S. Eliot discuss the concept of how artistic theft leads to the creation of new ideas in art and many of the early playwrights, Shakespeare included, would steal in part or in whole. The argument that Dylan’s intentions are somewhat more nefarious in the era of copyrights and royalties is likely misguided because it assumes that no artist would have previously been paid for their ‘pilfered’ works.
In this episode of Deeper Roots, first broadcast on KWTF Sonoma County March 20, 2015, we’ll spend two hours mining through some of those influences with music from Jerry Garcia and David Grisman, Doc Watson, Frank Crumit, Mississippi John Hurt, and the bard himself in an episode titled “Bob Dylan and Tradition”. In keeping with our theme, parts of today’s show are loosely based, or maybe paraphrased, from a wonderful study of Dylan’s career in the context of American tradition including minstrelsy, gospel, folk, country, pop, and blues…all of those things that Dylan has imparted in sometimes not-so-subtle ways in his music. The book, Bob Dylan in America: the book by Sean Wilentz, contributing editor to the New Republic and Professor of History at Princeton. The book was published by Doubleday in 2010.
